BIGGERS, JOHN THOMAS, 1924-2001.
John Biggers papers, 1950-2001
John Biggers papers, 1950-2001
Emory University
Manuscript, Archives, and Rare Book Library
Atlanta, GA 30322
404-727-6887
marbl@emory.edu
Permanent link: http://pid.emory.edu/ark:/25593/910rd
Table of Contents
Descriptive Summary
| Creator: | Biggers, John Thomas, 1924-2001. |
|---|---|
| Title: | John Biggers papers, 1950-2001 |
| Call Number: | Manuscript Collection No. 1179 |
| Extent: | 27 linear ft. (27 boxes), and 4 oversized papers (OP) |
| Abstract: | Papers of John Biggers, African American artist, including correspondence, subject files, printed material, audiovisual material, and photographs. |
| Language: | Materials entirely in English. |
Administrative Information
Restrictions on Access
Unrestricted access.
Terms Governing Use and Reproduction
All requests subject to limitations noted in departmental policies on reproduction.
Source
Gift/Purchase, 2011.
Citation
[after identification of item(s)], John Biggers papers, Manuscript, Archives, and Rare Book Library, Emory University.
Processing
Unprocessed collection.
Collection Description
Biographical Note
John Thomas Biggers (1924-2001), African American artist, was born in Gastonia, North Carolina. He attended Hampton Institute in Virginia and started taking art classes under the tutelage of Viktor Lowenfeld. Lowenfeld moved to Pennsylvania State University, and Biggers followed him to study in the art department there. He received his doctorate from the University in 1954. A few years earlier, Biggers had moved to Houston, Texas to establish the art department at Texas Southern University.
Scope and Content Note
The collection consists of the papers of John Biggers from 1950-2001. The papers include correspondence, subject files, printed material, audiovisual material, and photographs. The materials document his entire professional career, starting with this work at Hampton Institute, however, the bulk of the material relates to his work at Texas Southern University. The photographs and slides consist primarily of images Biggers used while researching and composing his murals, in addition to extensive documentation of his finished works.
Arrangement Note
Unprocessed collection.
Container List
| Box | Folder | Content |
|---|---|---|
| 1 | - | Mixed material |
| 2 | - | Mixed material |
| 3 | - | Subject files |
| 4 | - | Subject files |
| 5 | - | Subject files |
| 6 | - | Correspondence and subject files |
| 7 | - | Correspondence and subject files [includes letter to and from Victor Lowenfeld] |
| 8 | - | Mixed material |
| 9 | - | Mixed material |
| 10 | - | Mixed material, primarily printed material |
| 11 | - | Mixed material, primarily subject files |
| 12 | - | Mixed material |
| 13 | - | Mixed material |
| 14 | - | Mixed material [includes early family material] |
| 15 | - | Mixed material [includes sketchbook] |
| 16 | - | Honorary degrees, Boston University regalia |
| 17 | - | Mixed material |
| 18 | - | Correspondence and subject files |
| 19 | - | Printed material |
| 20 | - | Printed material |
| 21 | - | Correspondence, writings |
| 22 | - | Oversized mixed material, audiovisual, folder of sketches, notecards |
| 23 | - | Printed material |
| 24 | - | Printed material |
| 25 | - | Photographs |
| 26 | - | Photographs |
| 27 | - | Photographs |
| OP1-3 | - | Oversized material |
| OP4 | - | Oversized material; print: Prison for Momolu and Flumbo |
