SWANSON, JOHN AUGUST, 1938-.
John August Swanson papers and artwork, 1968-2018

Emory University

Pitts Theology Library

1531 Dickey Drive, Suite 560

Atlanta, GA 30322

404-727-4166

Permanent link: http://pid.emory.edu/ark:/25593/rmnvd


Descriptive Summary

Creator: Swanson, John August, 1938-.
Title: John August Swanson papers and artwork, 1968-2018
Call Number:Manuscript Collection No. 388
Extent: 33.4 cubic feet (38 boxes)
Abstract:Consists of the artwork, correspondence, and papers of artist John August Swanson.
Language:Materials entirely in English.

Administrative Information

Restrictions on Access

Unrestricted access.

Terms Governing Use and Reproduction

All requests subject to limitations noted in departmental policies on reproduction.

Citation

[after identification of item(s)], John August Swanson Papers and Artwork, Archives and Manuscript Dept., Pitts Theology Library, Emory University.

Processing

Processed by Brandon Wason, 2015-2018.


Collection Description

Biographical Note

John August Swanson is a Los Angeles-based artist specializing in the portrayal of biblical stories and scenes from everyday life. He was born on January 11, 1938, in Los Angeles. Both of his parents were recent immigrants to California when he was born; his mother was from Mexico and his father from Sweden.

Swanson’s art takes many shapes. He paints in oil, watercolor, acrylic as well mixed media, and is an experienced printmaker. The Morning Suite (1979) aptly demonstrates his printmaking versatility as it contains etchings, engravings, lithographs, and serigraphs (screen prints). Many of Swanson’s paintings have been adapted into limited-edition serigraphs, a medium he has championed. These serigraphs necessitate an advanced level of technical acumen and typically feature 30 to 60 separate colors, each of which require a separate stencil drawn by the artist. Swanson’s elaborate serigraph process results in pieces that have unique textures and colors that are characteristic of his mastery of this medium. The Procession (2007) is the most elaborate of Swanson’s serigraphs; it contains 89 separate colors. Swanson worked closely with master printer James F. Butterfield II of Aurora Serigraphics to produce many of his serigraphs, but with Butterfield’s passing in January of 2011, Swanson no longer makes serigraphs. Many of the pieces he produces now are paintings that have been modified into limited-edition giclées (high-quality, fine art prints produced on professional-grade inkjet printers).

While Swanson’s serigraphs are often intricately developed and are quite sophisticated in their design, they convey stories that are meant to be easily understood. In November of 1971, Swanson traveled to Mexico for five weeks and was inspired by the art and the people there. At this moment, he decided to use his art to tell stories in a linear approach. Overall his style is rather eclectic. He attributes as his influences the "imagery of Islamic and medieval miniatures, Russian iconography, the color of Latin American folk art, and the tradition of Mexican muralists” (artist's biography; box 1, folder 1).

The subject matters that Swanson treats most often in his art are biblical stories, scenes from live performances (e.g., circus or theatre), and scenes from everyday life. He draws inspiration from both Old and New Testaments, but has a particular interest in retelling events in the life of Christ. He also portrays many mundane or menial tasks as serious and positive actions. In his art, Swanson praises the virtue of doing one’s best, regardless of their position. He writes, “The woman who irons her family’s clothes has as much dignity and worth as the statesman” (artist's biography; box 1, folder 1). There is also a strong social component to Swanson’s art; he has repeatedly stated that his art is his most social act.

Swanson has received considerable recognition for his art, including the Doctor of Humane Letters degree from California Lutheran University (1996), the Mother Teresa Award (2005), the Dean's Medal from Emory University, and the Immaculate Heart of Mary Award (2012). His art is held in a number of prestigious collections, including the Smithsonian’s National Museum of American History, National Museum of American Art, National Air and Space Museum, as well as the Art Institute of Chicago, Harvard University’s Fogg Museum, the Tate Gallery, the Victoria and Albert Museum, the Bibliothèque Nationale, and the Vatican Museum’s Collection of Modern Religious Art. Candler School of Theology, Emory University, has the largest collection of his work on public display.

Scope and Content Note

The John August Swanson papers and artwork consist of biographical papers on the artist and his work; correspondence; printed material by or about the artist; reproductions and descriptions of his art; audio-visual material; telephone journals; photographs; and original artwork, prints and proofs. Notable items within the correspondence is a postcard that Swanson wrote to his mother while in England (1976), a transcribed email written for “Lewis” (undated) on the subject of Christianity and the arts, and extended correspondence with individuals such as Janaan Manternach, Stanley Johnson, and Panchita Seyssel. The correspondence also shows how Swanson's art is discovered, used, understood, displayed, and appreciated by individuals as well as organizations. In terms of artwork, the collection contains art representing all stages of the artist’s career. There are a number of pieces dating from 1969 through the early 1970s that demonstrate the early evolution of the artist’s technique and style. While most of the prints in the collection are serigraphs, there are some etchings, engravings, and lithographs as well. The oldest piece of artwork in the collection is an Untitled work (August 1968) containing a quotation from Rainer Maria Rilke’s Letters to a Young Poet, which features printed text from the artist’s hand-carved alphabet. One of the strengths of this collection are the various working proofs that the artist used in developing the serigraphs as well as many of the hand drawn stencils used for making individual color layers of the serigraphs.

Arrangement Note

Organized into ten series: (1) Artist's background; (2) Printed media about John August Swanson; (3) Artwork reproductions and descriptions; (4) Correspondence with institutions, churches, and organizations; (5) Personal correspondence, (6) Telephone journals, (7) Audio-visual material, (8) Photographs, (9) Printing sample booklets; and (10) Original artwork, prints, and proofs.


Selected Search Terms

Topical Terms

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Container List

Series 1: Artist's Background
Box Folder Content
1 1 Artist's Biographies
1 2 Catalogs of Artwork
1 3 Papers and Lectures on Swanson's Work
1 4 Printmaking and Serigraphy
1 5 Art Dealer Publications
1 6 Awards
1 7 Miscellaneous Exhibits and Events
1 8 The Art of John August Swanson, Candler School of Theology
1 9 Exhibit, St. James by the Sea
1 10 Exhibit, Sinsinawa Art Gallery
1 11 A Millennium Day Book Featuring Swanson's Art
Series 2: Printed Media about John August Swanson, Arranged by Date
2 1 1983
2 2 1986
2 3 1987
2 4 1988
2 5 1989
2 6 1990
2 7 1991
2 8 1992
2 9 1993
2 10 1994
2 11 1995
2 12 1996
2 13 1997
2 14 1998
2 15 2000
2 16 2004
2 17 2006
2 18 2008
2 19 2009
2 20 2010
2 21 2011
2 22 2012
2 23 2013
2 24 2014
Series 3: Artwork Reproductions and Descriptions, Arranged by Title
3 1 Abraham and Isaac
3 2 Acrobats
3 3 Adam and Eve
3 4 Agony in the Garden
3 5 Andean Procession (aka Encuentro)
3 6 The Ascent of Elijah
3 7 The Bakery
3 8 Balancing Act (aka Circus)
3 9 The Bridge
3 10 The Bus Ride
3 11 The Carousel
3 12 Celebration
3 13 Cello Recital
3 14 Circus Gallop
3 15 Circus Horses
3 16 City Walk
3 17 The Classroom
3 18 The Conductor
3 19 Daniel
3 20 David and Goliath
3 21 Dream of Jacob
3 22 Ecclesiastes
3 23 Elijah
3 24 Entry into the City
3 25 Epiphany
3 26 Festival of Lights
3 27 The Fiery Furnace
3 28 The Fishermen
3 29 Flight into Egypt
3 30 Flying Trapeze
3 31 The Flood
3 32 Francis and the Wolf
3 33 Francis of Assisi
4 1 Gardeners
4 2 Good Samaritan
4 3 The Great Catch
4 4 The Great Circus
4 5 The Inventor
4 6 Jacob's Dream
4 7 Jester
4 8 Jonah
4 9 Journey through the Wilderness
4 10 The Last Supper
4 11 Lazarus
4 12 Loaves and Fishes
4 13 Madonna of the Harvest
4 14 Martin Luther King
4 15 Mexican Picnic
4 16 The Minstrel
4 17 Morning Suite
4 18 Nativity
4 19 The Opera
4 20 Orchestra
4 21 Pagliacci
4 22 Papageno
4 23 Peaceable Kingdom
4 24 Pentecost
4 25 Piano Duet
4 26 Power to the People
4 27 Prayer E. E. Cummings
4 28 Presentation in the Temple
4 29 The Procession
4 30 Proposition 34
4 31 Proposition 36
4 32 The Prodigal Son
4 33 Psalm 23
4 34 Psalm 85
5 1 Rainy Day/Rainbow City
5 2 Restaurant
5 3 The River
5 4 Saint Michael and the Archangels
5 5 Schoolroom
5 6 Seeds of Brotherhood
5 7 The Shepherds
5 8 Spaceman
5 9 Star Clown
5 10 Star Mountain
5 11 Steeplechase
5 12 Die Sternstunde
5 13 The Story of Joseph
5 14 Story of Ruth
5 15 The Story of the Prodigal Son
5 16 The Street Singer
5 17 Struggle for Justice
5 18 Take Away the Stone
5 19 Tales of Hoffmann
5 20 Time to Heal
5 21 The Train Station
5 22 Triptych: Shepherds, Nativity, Epiphany
5 23 A Visit
5 24 Waltz of the Clowns
5 25 Washing Dishes
5 26 Washing of the Feet
5 27 Wedding Feast
5 28 Adult Life of Christ to His Death; An Image Collection Compiled by the Artist
21 Larger Image Reproductions
Series 4: Correspondence with Institutions, Churches, and Organizations
6 1 Select Acquisitions Correspondence with Museums and Institutions
6 2 Correspondence with Institutions, Churches, and Organizations, A
6 3 Correspondence with Institutions, Churches, and Organizations, B
6 4 Correspondence with Institutions, Churches, and Organizations, C-D
6 5 Correspondence with Institutions, Churches, and Organizations, F-G
6 6 Correspondence with Institutions, Churches, and Organizations, H-J
6 7 Correspondence with Institutions, Churches, and Organizations, K-L
6 8 Correspondence with Institutions, Churches, and Organizations, M-N
6 9 Correspondence with Institutions, Churches, and Organizations, O
6 10 Correspondence with Institutions, Churches, and Organizations, S-T
6 11 Correspondence with Institutions, Churches, and Organizations, U-V
6 12 Correspondence with Institutions, Churches, and Organizations, W
7 1 Correspondence with American Martyrs Church
7 2 Correspondence with Artworks
7 3 Correspondence with Casa Rutilio Grande
7 4 Correspondence with Continental Graphics
7 5 Correspondence with Gallerie Julian
7 6 Correspondence with Loyala Marymount University
7 7 Correspondence with Sisters of Social Service
7 8 Correspondence with Sisters of St. Joseph of Orange
7 9 Correspondence with St. Peter's School
7 10 Correspondence with The Other Side
7 11 Correspondence with Whitworth College
7 12 Correspondence related to the Who Is My Neighbor Exhibit, April 2014
Series 5: Personal Correspondence, Arranged Alphabetically
8 1 Personal Correspondence, A
8 2 Personal Correspondence, Ba-Be
8 3 Personal Correspondence, Bi-Bo
8 4 Personal Correspondence, Br-By
8 5 Personal Correspondence, C
8 6 Personal Correspondence, D
8 7 Personal Correspondence, E
8 8 Personal Correspondence, F
8 9 Personal Correspondence, G
8 10 Personal Correspondence, H
8 11 Personal Correspondence, I
8 12 Personal Correspondence, J
8 13 Personal Correspondence, K
8 14 Personal Correspondence, L
8 15 Personal Correspondence, M
8 16 Personal Correspondence, N
8 17 Personal Correspondence, O
8 18 Personal Correspondence, P
8 19 Personal Correspondence, R
8 20 Personal Correspondence, S
8 21 Personal Correspondence, T
8 22 Personal Correspondence, V
8 23 Personal Correspondence, W
8 24 Personal Correspondence, Y-Z
8 25 Personal Correspondence, Stanley Johnson
8 26 Personal Correspondence, Jim Kantor
8 27 Personal Correspondence, Janaan Manternach
8 28 Personal Correspondence, Panchita Seyssel
8 29 Personal Correspondence, Tatyana Warren
Series 6: Telephone Journals
8 30 2007 Phone Journal, Part 1
8 31 2007 Phone Journal, Part 2
8 32 2008 Phone Journal, Part 1
8 33 2008 Phone Journal, Part 2
Series 7: Audio-visual Material
9 Audio-visual Material
Series 8: Photographs
10 Photographs of Swanson, His Artwork, Exhibits, and Studio
Series 9: Printing Sample Booklets
10 Celebration
10 Daniel
10 David and Goliath
10 Festival of Lights
10 Flight into Egypt
10 Francis and the Wolf
10 Goose with the Golden Egg
10 Jester
10 Last Supper
10 Loaves and Fishes
10 Madonna of the Harvest
10 Papageno
10 Presentation
10 Procession (two booklets)
10 Psalm 23
10 Psalm 85
10 Rainbow City
10 Saint Michael and the Archangels
10 Star Clown
10 Story of the Prodigal Son
10 Take Away the Stone
10 Tales of Hoffmann
10 The Good Samaritan
10 Washing of the Feet
10 Wedding Feast
Series 10: Original Artwork, Prints, and Proofs; Arranged by Title
32 Abraham and Isaac (1976); serigraph; artist's proof
13 Acrobats (1986); etching; archival proof
13 Acrobats (1986); etching; background color proof
13 Acrobats (1986); etching; color proof
13 Acrobats (1986); etching; first step etching of main drawing
13 Acrobats (1986); etching; line work proof
13 Acrobats (1986); etching; second step etched with aquatint
29 Adam and Eve (2016); giclée; archival proof
29 Adam and Eve (2015); giclée; early proof
29 Adam and Eve (2016); giclée; ink drawings and studies on Mylar and vellum
29 Adam and Eve (2016); giclée; studio proofs of line work and lettering
29 Amazing Dog Trio (2015); giclée; proof with handwork (gold paint)
29 Amazing Dog Trio (2015); Studies and drawings for the production of the Giclée
32 Annunciation (2017 Jun); giclée; archival proof I/II
37 The Ascent (2011); serigraph; drawings for the production of a never-printed serigraph, which later became a giclée in 2014.
15 The Ascent (2014); giclée; archival print
12 The Ascent (2014); Postcard; advertisement for the giclée print; printed on 13"x19" stock
12 Balancing Act (1995); drawing study in pencil
12 Balancing Act (1995); pencil drawing for enhancements
28 Balancing Act (1995); serigraph; archival proof
28 Balancing Act (1995); serigraph; progressive proof with additional test painting
14 Big Buck (1970); serigraph; edition of 50
14 Big Buck (1970); serigraph; proof
14 Celebration (1997); photograph of the original acrylic on paper painting used as a guide in printing the serigraph
15 Celebration (1997); serigraph; archival proof
14 Celebration (1997); serigraph; near complete registration proof
35 Celebration (1997); serigraph; progressive proof with 13 colors printed
35 Celebration (1997); serigraph; progressive proof with 5 colors printed with additional test painting
28 Circus Bicyclist (1979); lithograph; front: color proof #1; reverse: Peaceable Kingdom (1994); serigraph; color proof #6 transparent night blue
28 Circus Bicyclist (1982); serigraph; archival proof
13 Circus Gallop (1986); etching; edition 1 of 100
13 Circus Gallop (1986); etching; edition 77 of 150 — The Charles Tipton and David Bowman Collection
14 Circus Horses (1982); lithograph; artist's proof
13 Circus Horses (1982); lithograph with color pencil study
12 Circus Parade (1986); pen drawing
27 City Walk suite (1977); reproduction of pencil drawings
27 City Walk suite (1977); On the Street — Etching; edition 69 of 70 On the Street — Etching; edition 69 of 70
27 City Walk suite (1977); On the Street — Etching; display proof On the Street — Etching; display proof
24 City Walk suite (1977); On the Street — Etching; plate On the Street — Etching; plate
27 City Walk suite (1977); Danceland — Etching; edition 69 of 70 Danceland — Etching; edition 69 of 70
27 City Walk suite (1977); Danceland — Etching; display proof Danceland — Etching; display proof
24 City Walk suite (1977); Danceland — Etching; plate Danceland — Etching; plate
27 City Walk suite (1977); Cafe or alternately Coffee Shop — Etching; edition 69 of 70 Cafe or alternately Coffee Shop — Etching; edition 69 of 70
24 City Walk suite (1977); Cafe or alternately Coffee Shop — Etching; plate Cafe or alternately Coffee Shop — Etching; plate
27 City Walk suite (1977); Movies — Etching; edition 69 of 70 Movies — Etching; edition 69 of 70
27 City Walk suite (1977); Movies — Etching; display proof Movies — Etching; display proof
24 City Walk suite (1977); Movies — Etching; plate Movies — Etching; plate
27 City Walk suite (1977); Street Fight — Etching; edition 69 of 70 Street Fight — Etching; edition 69 of 70
27 City Walk suite (1977); Street Fight — Etching; display proof Street Fight — Etching; display proof
24 City Walk suite (1977); Street Fight — Etching; plate Street Fight — Etching; plate
27 City Walk suite (1977); Alley — Etching; edition 69 of 70 Alley — Etching; edition 69 of 70
27 City Walk suite (1977); Alley — Etching; display proof Alley — Etching; display proof
24 City Walk suite (1977); Alley — Etching; plate Alley — Etching; plate
27 City Walk suite (1977); Apartment House — Etching; edition 69 of 70 Apartment House — Etching; edition 69 of 70
27 City Walk suite (1977); Apartment House — Etching; display proof Apartment House — Etching; display proof
24 City Walk suite (1977); Apartment House — Etching; plate Apartment House — Etching; plate
27 City Walk suite (1977); The Hallway or alternatively Opening the Door — Etching; edition 69 of 70 The Hallway or alternatively Opening the Door — Etching; edition 69 of 70
27 City Walk suite (1977); The Hallway or alternatively Opening the Door — Etching; display proof The Hallway or alternatively Opening the Door — Etching; display proof
24 City Walk suite (1977); The Hallway or alternatively Opening the Door — Etching; plate The Hallway or alternatively Opening the Door — Etching; plate
27 City Walk suite (1977); The Window or alternatively Looking at the City — Etching; edition 69 of 70 The Window or alternatively Looking at the City — Etching; edition 69 of 70
27 City Walk suite (1977); The Window or alternatively Looking at the City — Etching; display proof The Window or alternatively Looking at the City — Etching; display proof
24 City Walk suite (1977); The Window or alternatively Looking at the City — Etching; plate The Window or alternatively Looking at the City — Etching; plate
14 The Concert (1977); serigraph; edition 82 of 115
28 The Conductor (1987); serigraph; artist's proof
35 Daniel (1980); serigraph; color proof testing color combinations in a print that was never completed
23 Daniel (1983); early pencil sketch to be used for etching
23 Daniel (1983); etching; color proof
23 Daniel (1983); etching; out of register proof
23 Daniel (1983); etching; plate A proof
23 Daniel (1983); etching; plate B proof
23 Daniel (1983); etching; plate C proof (blue)
23 Daniel (1983); etching; plate C proof (dark brown)
13 Daniel (1983); etching; printer's proof — The Charles Tipton and David Bowman Collection
23 Daniel (1983); etching; progressive proof plates A and B
23 Daniel (1983); etching; progressive proof plates B and C
13 Daniel (1983); etching; progressive proof of colors 2 and 3
23 Daniel (1983); etching; ruined proof (torn in two) with problems on plate C, registration of color plate, poor inking
23 Daniel (1983); etching; trial color proof
12 Daniel (2000); drawings on Mylar
15 Daniel (2000); serigraph; archival proof
35 Daniel (2000); serigraph; progressive proof with 20 colors printed and additional color tests; color proof with colors ##27 and 32 printed
16 Daniel (2000); stencils for serigraph production
14 David and Goliath (2005); serigraph; archival print
17 David and Goliath (2005); stencils for serigraph production
29 Dvorák’s Quartet (1984); etching; artist's proof — The Charles Tipton and David Bowman Collection
25 3 Dvorák’s Quartet (1984); etching, Copper Plate A (orange-yellow)
25 4 Dvorák’s Quartet (1984); etching, Copper Plate B (cadmium red with thalo red)
25 5 Dvorák’s Quartet (1984); etching, Copper Plate C (sepia and brown)
23 Dvorák’s Quartet (1984); etching; main plate with drawing etched
23 Dvorák’s Quartet (1984); etching; painted proof
23 Dvorák’s Quartet (1984); etching; plate A color proof
23 Dvorák’s Quartet (1984); etching; plate B color proof
23 Dvorák’s Quartet (1984); etching; plate C color proof
23 Dvorák’s Quartet (1984); etching; plate C with basic etching outline
23 Dvorák’s Quartet (1984); etching; progressive proof for color testing
23 Dvorák’s Quartet (1984); etching; progressive proof plates A and B
23 Dvorák’s Quartet (1984); etching; progressive proof plates B and C
23 Dvorák’s Quartet (1984); etching; progressive proof
23 Dvorák’s Quartet (1984); etching; proof submitted for approval
23 Dvorák’s Quartet (1984); water color proposal for etching
28 Each Saw Us in His Own Way (circa 1970); silkscreen print; edition 4 of 12
14 Ecclesiastes (1969); silkscreen; working-stage (progressive) proof
14 Ecclesiastes (1989); serigraph; artist's proof
28 Elijah (2008); pencil sketch for production of Giclée
29 Elijah (2008); Ink drawings on frosted vellum for production of Giclée
37 Entry into the City (2008); giclée; color photocopies of the original used in the production of the giclée.
32 Epiphany (1988); serigraph; artist's proof
28 Epiphany (1988); serigraph; front: early proof with 16 colors (reverse side has color blend proof of Nativity)
29 Family Picnic (2014) adapted from Mexican Picnic (1972); pen and paint drawings on Mylar and Vellum for production of Giclée Mexican Picnic (1972); pen and paint drawings on Mylar and Vellum for production of Giclée
29 Family Picnic (2014) adapted from Mexican Picnic (1972); Hand-painting added to print for production of Giclée Mexican Picnic (1972); Hand-painting added to print for production of Giclée
15 Festival of Lights (2000); serigraph; archival proof
31 Festival of Lights (2000); serigraph; front: completed print (out of register); reverse: Washing of the Feet color proof #9 (transparent geranium) Washing of the Feet color proof #9 (transparent geranium)
37 Festival of Lights (2000); serigraph; photograph of the original painting (1991) used in the production of the serigraph.
37 Festival of Lights (2000); serigraph; progressive proof containing 33 colors and additional color testing.
14 The Fisherman; serigraph; edition 37 of 50, 1973
12 The Fisherman; Copy of acrylic painting, 1990
14 Five Dollar Gold Piece (1972); serigraph; edition 20 of 20; "red, white, and blue" version
14 Five Dollar Gold Piece (1972); serigraph; edition 36 of 36; "purples" version
12 Flight into Egypt (2002); drawing study in pencil
28 Flight into Egypt (2002); drawing study in pencil and pen
13 Flowers Never Bend with Rainfall (circa 1970); silkscreen; artist's proof
13 Flying Trapeze (1986); etching; edition 4 of 150 — The Charles Tipton and David Bowman Collection
13 Flying Trapeze (1986); etching; edition 99 of 150
12 Four Circus Acts (c. 1986); Hand painted with opaque and transparent watercolors (study for Lion Tamer, Acrobats, and Flying Trapeze) — The Charles Tipton and David Bowman Collection
37 Francis and the Wolf (2002); serigraph; large photograph of the original scraffito painting (1985) used in the production of the serigraph.
37 Francis and the Wolf (2002); serigraph; photograph of the original scraffito painting (1985) used in the production of the serigraph.
28 Francis and the Wolf (2002); serigraph; progressive proof with 17 colors printed
28 Francis and the Wolf (2002); serigraph; progressive proof with 8 colors printed with additional painting tests; reverse: color proof #14
17 Francis and the Wolf (2002); stencils for serigraph production
28 Francis and the Birds (2015); giclée; archival proof
29 Francis and the Birds (2015); Studio proof
29 Francis and the Birds (2015); Ink drawing on Mylar
14 Francis of Assisi (1985); lithograph; edition 60 of 100
Gift of Life (2017 Oct); giclée; edition 12 of 100
Gift of Sight (2017 Oct); giclée; edition 12 of 100
Gift of Water (2017 Oct); giclée; edition 12 of 100
16 Good Samaritan (2002); Photocopy proof with ink adaptation
16 Good Samaritan (2002); stencils for serigraph production
22 Goose with the Golden Egg (2009); serigraph; artist's proof I/I
22 Goose with the Golden Egg (2009); serigraph; progressive proof with 30 colors printed; reverse: color proof with colors 31 (cadmium red orange) and 32 transparent paynes gray printed.
18 Goose with the Golden Egg (2009); stencils for serigraph production
15 The Great Catch (1993); serigraph; archival proof
35 The Great Catch (1993); serigraph; progressive proof containing approximately 14 colors with additional painting tests; reverse: color proof used for testing
35 The Great Catch (1993); serigraph; progressive proof containing approximately 21 colors with additional painting tests; reverse: color proof containing colors ##22, 24-27, 30-35
35 The Great Catch (1993); serigraph; progressive proof containing approximately 29 colors; reverse: color proof containing random colors between #30 and #47
28 Gus, Dick, and Red (1971); serigraph; edition 1 of 20
28 Holiday in the Park (1972); color proof with transparent black ink
28 The Hungry Eye (1971); offset lithograph; edition 89 of 130
14 The Inventor; serigraph; artist's proof, 1975
37 The Jester (1989); color print of the watercolor painting used as an aid for producing the serigraph.
14 The Jester (2001); serigraph; archival print
35 The Jester (2001); serigraph; front: registration proof; reverse: Tales of Hoffmann (2001); serigraph; color proof with color #2 printed Tales of Hoffmann (2001); serigraph; color proof with color #2 printed
16 The Jester (2001); stencils for serigraph production
12 The Jester (2001); small drawings on paper and polyester
14 Jonah (1983); lithograph; edition 39 of 60 — The Charles Tipton and David Bowman Collection
14 Last Supper (2009); serigraph; archival print
23 Last Supper (2009); serigraph; border drawing test negative on film
37 Last Supper (2009); serigraph; card print.
37 Last Supper (2009); serigraph; color proof containing colors #17, #21, and #22.
37 Last Supper (2009); serigraph; color proof containing colors #32 and #17.
37 Last Supper (2009); serigraph; enlarged photocopy of Last Supper painted in Procession (2007) used as an aid for producing the Last Supper serigraph. Last Supper painted in Procession (2007) used as an aid for producing the Last Supper serigraph.
37 Last Supper (2009); serigraph; front: color proof containing color #17; back: color proof containing color #18.
35 Last Supper (2009); serigraph; front: color proof containing colors #17, #30, and #33; back: color proof with colors #26 and #30 printed
37 Last Supper (2009); serigraph; front: progressive proof containing 14 colors; back: color proof containing colors #39 and #40.
37 Last Supper (2009); serigraph; front: progressive proof containing 25 colors; back: color proof containing colors #33 and #34.
37 Last Supper (2009); serigraph; front: progressive proof containing 35 colors and additional color testing; back: color proof containing colors #38 and #41.
15 Last Supper (2009); serigraph; front: registration proof; reverse: Madonna of the Harvest (2010); serigraph; color proof with colors #3, 6, and 11 printed (not in alignment) Madonna of the Harvest (2010); serigraph; color proof with colors #3, 6, and 11 printed (not in alignment)
37 Last Supper (2009); serigraph; preliminary sketch of figures for final drawing.
37 Last Supper (2009); serigraph; progressive proof printed on canvas, missing colors ##1-7.
16 Last Supper (2009); stencils for serigraph production
13 Lion Tamer (1986); etching; color proof A, 1986
13 Lion Tamer (1986); etching; color proof B, 1986
13 Lion Tamer (1986); etching; color proof C with hand coloring, 1986
13 Lion Tamer (1986); etching; color proof D with pencil sketches, 1986
13 Lion Tamer (1986); etching; edition 23 of 100
13 Lion Tamer (1986); etching; line work proof of plate 1
13 Lion Tamer (1986); etching; two plates printed; red and orange color proof
31 Loaves and Fishes (2003); serigraph; archival print
23 Loaves and Fishes (2003); serigraph; stencil color proof #7
38 Loaves and Fishes (2003); serigraph; studies on mylar and paper used for serigraph production
38 Loaves and Fishes (2003); stencils for serigraph production
28 Madonna of the Harvest (2010); serigraph; archival proof
35 Modonna of the Harvest (2010); serigraph; front: color proof #16 overlay of Last Supper (2009); serigraph; color proof #20; reverse: Psalm 23 (2010); serigraph; color proof #25 overlay of St. Michael (2006); serigraph; color proof of metallic gold Last Supper (2009); serigraph; color proof #20; reverse: Psalm 23 (2010); serigraph; color proof #25 overlay of St. Michael (2006); serigraph; color proof of metallic gold
18 Madonna of the Harvest (2010); stencils for serigraph production
15 The Magic Flute (2012); giclée; archival print
28 The Magic Flute (2012); giclée; working Proof with hand painting
13 Minstrel (1975); drawing study (on reverse side is drawings of birds in pencil and color pencils)
27 The Morning Suite (1978/1979); Alarm Clock — Etching; edition 96 of 100 Alarm Clock — Etching; edition 96 of 100
36 1 The Morning Suite (1978/1979); Alarm Clock; etching with aqua-tints, copper plate Alarm Clock; etching with aqua-tints, copper plate
27 The Morning Suite (1978/1979); Dressing Up — Etching; edition 96 of 100 Dressing Up — Etching; edition 96 of 100
36 2 The Morning Suite (1978/1979); Dressing Up; etching with aqua-tints, copper plate Dressing Up; etching with aqua-tints, copper plate
27 The Morning Suite (1978/1979); Ironing Clothes — Serigraph; edition 96 of 100 Ironing Clothes — Serigraph; edition 96 of 100
27 The Morning Suite (1978/1979); Let the Sun Shine In — Engraving; edition 96 of 100 Let the Sun Shine In — Engraving; edition 96 of 100
36 3 The Morning Suite (1978/1979); Let the Sunshine In; engraving, copper plate Let the Sunshine In; engraving, copper plate
27 The Morning Suite (1978/1979); Milkman — Engraving; edition 96 of 100) Milkman — Engraving; edition 96 of 100)
36 4 The Morning Suite (1978/1979); Milkman; engraving, copper plate Milkman; engraving, copper plate
27 The Morning Suite (1978/1979); Morning Coffee — Lithograph; edition 13 of 50 Morning Coffee — Lithograph; edition 13 of 50
27 The Morning Suite (1978/1979); Morning News — Serigraph; edition 96 of 100 Morning News — Serigraph; edition 96 of 100
27 The Morning Suite (1978/1979); Morning Post — Etching; edition 96 of 100 Morning Post — Etching; edition 96 of 100
36 5 The Morning Suite (1978/1979); Morning Post; etching with aqua-tints, copper plate Morning Post; etching with aqua-tints, copper plate
27 The Morning Suite (1978/1979); Morning Scenes — Engraving; edition 96 of 100 Morning Scenes — Engraving; edition 96 of 100
36 6 The Morning Suite (1978/1979); Morning Scenes; engraving, copper plate Morning Scenes; engraving, copper plate
27 The Morning Suite (1978/1979); Morning Shave — Etching; edition 96 of 100 Morning Shave — Etching; edition 96 of 100
36 7 The Morning Suite (1978/1979); Morning Shave; etching with aqua-tints, copper plate Morning Shave; etching with aqua-tints, copper plate
27 The Morning Suite (1978/1979); Sunny Side Up — Lithograph; edition 96 of 100 Sunny Side Up — Lithograph; edition 96 of 100
32 Nativity (2017); giclée; archival proof
32 Nativity (1988); serigraph; artist's proof
28 Nativity (1988); serigraph: front: working proof with 14 colors printed; reverse: color proof of magenta
28 Nativity (1988); serigraph; front: working proof; reverse: color proof of warm grey glaze
28 Nativity (1988); serigraph; color blend proof (on reverse side is a progression proof of Epiphany with 16 colors)
29 Nebuchadnezzar (1983); lithograph; edition 19 of 40 — The Charles Tipton and David Bowman Collection
14 One Together (1970); serigraph; edition of 60
14 One Together (1970); serigraph; proof
14 The Opera (1991); serigraph; artist's proof
14 The Orchestra (1979); serigraph; edition 21 of 200
22 Papageno (2008); serigraph; special proof
18 Papageno (2008); serigraph; special proof
22 Papageno (2008); Color photocopy of giclée print; enlarged; used for creating the serigraph
22 Papageno (2008); Color photocopy of giclée print; used for creating the serigraph
22 Papageno (2008); Photocopy of line drawing with additions in red pen; used for creating the serigraph
22 Papageno (2008); Sketches of Birds for "Papageno" (Pen sketches on canvas testing various pens
22 Papageno (2008); giclée proof from a scanned image of a 4x5 painting; used for creating the serigraph
22 Papageno (2008); Color photocopy of giclée print; actual size of serigraph; used for creating the serigraph
22 Papageno (2008); serigraph; front: color proof #6 (transparent yellow oxide), #7 (transparent brown oxide), #8 (cadmium green gold), and #9 (red orange); reverse: color proof #1 (white) and #2 (transparent burnt yellow ochre)
22 Papageno (2008); serigraph; front: color proof #6 (transparent yellow oxide); reverse: color proof #1 (white) and #2 (transparent burnt yellow ochre)
22 Papageno (2008); serigraph; front: color proof #11 (metallic gold) and #15 (cadmium yellow deep hue); reverse: color proof #1 (white) and #2 (transparent burnt yellow ochre)
22 Papageno (2008); serigraph; front: progressive proof with eleven colors printed; reverse: color proof #30 (transparent azo nickel yellow) and #19 (transparent red orange)
22 Papageno (2008); serigraph; color proof #26 (white)
22 Papageno (2008); serigraph; front: progressive proof with eleven colors printed; reverse: color proof #12 (cobalt blue), #14 (transparent prussian green), and #16 (transparent quinacridone rose)
22 Papageno (2008); serigraph; progressive proof with nine colors printed
22 Papageno (2008); serigraph; color proof #24 (transparent amazonite green)
22 Papageno (2008); serigraph; front: progressive proof with six colors printed with color testing; reverse: color proof #17 (quinacridone pink) and #19 (transparent red orange)
22 Papageno (2008); serigraph; front: progressive proof with color testing; reverse: color proof #20 (transparent paynes gray)
22 Papageno (2008); serigraph; color proof #27 (transparent sap green)
22 Papageno (2008); serigraph; color proof #23 (light cadmium yellow)
22 Papageno (2008); serigraph; color proof #21 (transparent quinacridone violet)
22 Papageno (2008); serigraph; color proof #29 (transparent maganese blue)
22 Papageno (2008); serigraph; color proof #9 (red orange)
22 Papageno (2008); serigraph; color proof #22 (light green turquoise)
22 Papageno (2008); serigraph; progressive proof with twenty-seven colors printed and additional color testing added
22 Papageno (2008); serigraph; progressive proof with twenty-seven colors printed and additional color testing added
22 Papageno (2008); serigraph; front: progressive proof with twenty-seven colors printed and additional color testing added; reverse: color proof #31 (transparent asphaltum)
22 Papageno (2008); serigraph; front: progressive proof with two colors printed and additional color testing added; reverse: color proof #10 (burnt umber), #13 (transparent orange), and #18 (red bown line)
22 Papageno (2008); serigraph; color proof #25 (red orange); reverse side has a late-stage progressive proof of Star Clown with painted color testing
35 Peaceable Kingdom (1990); photography of the original acrylic on canvas painting used as a guide in printing the serigraph
15 Peaceable Kingdom (1994); serigraph; archival proof
14 Peaceable Kingdom (1972); serigraph; edition 14 of 45
35 Peaceable Kingdom (1994); serigraph; front: color proof containing color #5 transparent yellow; reverse: contains print by Melanie Taylor Kent: Christopher Columbus 500th Anniversary (1992)
14 Peaceable Kingdom (1994); serigraph; front: progressive proof with 35 colors printed; reverse: color proof (cadmium orange and bright red mix)
35 Peaceable Kingdom (1994); serigraph; front: progressive proof containing approximately 23 colors; reverse: color proof contiaining colors ##24, 26-30, 33-35, 37, 39-43, 46-47
35 Peaceable Kingdom (1994); serigraph; color proof containing colors ##21-24, 26-30, 43-44, and 46-47
35 Peaceable Kingdom (1994); serigraph; progressive proof containing 30 colors
14 Pennies (1971); serigraph; edition 34 of 36
13 Pentecost (1983); crayon sketch
13 Pentecost (1983); drawing study in crayon
25 1 Pentecost (1983); etching, Copper Plate A (orange)
25 2 Pentecost (1983); etching, Copper Plate B (burgundy)
23 Pentecost (1983); etching; early hand-painted progressive proof
23 Pentecost (1983); etching; plate B color proof
23 Pentecost (1983); etching; plate B early proof
23 Pentecost (1983); etching; plate B trial color proof
23 Pentecost (1983); etching; plates A and B trial color proof
23 Pentecost (1983); etching; printer's proof
23 Pentecost (1983); etching; progressive proof
23 Pentecost (1983); etching; progressive trial proof 1
23 Pentecost (1983); etching; progressive trial proof 2
15 Pentecost (2013); giclée; archival print
28 Pentecost (2013); giclée; partial proof featuring the right side of image (varnished)
28 Pentecost (2013); giclée; partial proof featuring the right side of image with color adjustments (varnished)
15 Pentecost (2013); giclée; print from scan with added color work
28 Pentecost (2013); giclée; unaltered print from scan of 1985 work
15 Pentecost (2013); giclée; working proof near completion (varnished)
15 Pentecost (2013); giclée; working proof with brightness/contrast turned up (unvarnished)
15 Pentecost (2013); giclée; working proof with color work
28 Pentecost (2013); giclée; working proof with darkening and added contrast
28 Pentecost (2013); giclée; working proof with hand painting
28 Pentecost (2013); giclée; working proof with hand painting
15 Pentecost (2013); giclée; working proof; new scan from previous proof with hand painting and drawing
28 Pictures of Us in a Circle Sun (1969); serigraph; edition 1 of 11
37 Presentation in the Temple (2004); serigraph; monochrome photograph of the original painting used in the production of the serigraph.
23 Presentation in the Temple (2004); serigraph; stencil color proof
19 Presentation in the Temple (2004); stencils for serigraph production
35 Printing sheets (undated); used at the beginning of printing to get ink printing (2 doubled-sided sheets)
31 The Procession (2007); serigraph; archival print
35 The Procession (2007); serigraph; progressive proof containing 8 colors also used for testing inks by hand; reverse: color proof containing colors ##35-36
38 The Procession (2007); stencils for serigraph production
23 Prodigal Leaving Home (1971/1972); serigraph; edition 20 of 30
34 Prodigal Son (1971); reproductions of each panel in order to aid in planning for Story of the Prodigal Son. Story of the Prodigal Son.
34 Prodigal Son (1971); serigraph; first panel from the original, black and white serigraph.
31 Prodigal Son (1984); serigraph; artist's proof edition 14 of 18
12 Prodigal Son (1984); pen and pencil drawing on graph paper; remarqee studies; enhancement drawings for border and lettering
28 Psalm 23 (2000); serigraph; archival proof
29 Psalm 67 (2015); giclée; archival print (second from last version; pen marking on reverse)
RR Psalm 85 (2003); serigraph; archival print
35 Psalm 85 (2003); serigraph; front: proof used to test colors (incomplete); reverse: David and Goliath (2005); serigraph; proof used to print color cards for reference David and Goliath (2005); serigraph; proof used to print color cards for reference
12 Rainy Day (1981); drawing study in Pencil
15 Rainy Day (1981); serigraph; edition 31 of 150
14 The Restaurant (1974); serigraph; incomplete proof out of registration
14 The Restaurant (1974); serigraph; incomplete proof out of registration; hand drawn details with pen
14 The Ride Through Town (1972); serigraph; color proof (not part of edition)
14 The Ride Through Town (1972); serigraph; outline proof (black)
23 Saint Michael (1983); etching; archival proof
23 Saint Michael (1983); etching; outline proof A
23 Saint Michael (1983); etching; outline proof B
23 Saint Michael (1983); etching; outline proof C
23 Saint Michael (1983); etching; plate A proof (yellow ink)
23 Saint Michael (1983); etching; plate B proof (red ink)
23 Saint Michael (1983); etching; plate C proof (blue ink)
23 Saint Michael (1983); etching; print of beginning drawing etched on plate C
12 Saint Michael (1983); etching; printer's proof — The Charles Tipton and David Bowman Collection
23 Saint Michael (1983); etching; progressive proof plates A and B
23 Saint Michael (1983); etching; progressive proof plates B and C
14 Saint Michael and the Archangels (2006); serigraph; archival print
35 Saint Michael and the Archangels (2006); serigraph; negative of outline drawing
38 Saint Michael and the Archangels (2006); stencils for serigraph production
28 Sand Castle (1969); silkscreen; "working copy"; edition of 20
28 Sand Castle (1969); silkscreen; outline drawing, printed with dark blue ink
12 Simon and Garfunkel (1969); silkscreen; edition of 15
12 Simon and Garfunkel (1969); silkscreen; progressive proof
28 Shepherds (2017 Nov 22); giclée; working proof, hand-painted border.
28 Shepherds (2018 Jan 10); giclée; working proof, gold and light blue border.
15 Shepherds (2018 Jan 16); giclée; working proof, multi-color border.
28 Shepherds (2018 Jan 26); giclée; archival proof, unvarnished.
32 The Shepherds (1985); serigraph; artist's proof
11 Spaceman suite (1977/1978); Destination: The Stars or alternatively The Official Send-Off — Etching; edition 32 of 50 Destination: The Stars or alternatively The Official Send-Off — Etching; edition 32 of 50
11 Spaceman suite (1977/1978); Destination: The Stars or alternatively The Official Send-Off — Etching; display proof Destination: The Stars or alternatively The Official Send-Off — Etching; display proof
24 Spaceman suite (1977/1978); Destination: The Stars or alternatively The Official Send-Off — Etching; plate Destination: The Stars or alternatively The Official Send-Off — Etching; plate
11 Spaceman suite (1977/1978); Entering the Spaceship — Etching; edition 32 of 50 Entering the Spaceship — Etching; edition 32 of 50
11 Spaceman suite (1977/1978); Entering the Spaceship — Etching; display proof Entering the Spaceship — Etching; display proof
24 Spaceman suite (1977/1978); Entering the Spaceship — Etching; plate Entering the Spaceship — Etching; plate
11 Spaceman suite (1977/1978); Blast-Off — Etching; edition 32 of 50 Blast-Off — Etching; edition 32 of 50
11 Spaceman suite (1977/1978); Blast-Off — Etching; display proof Blast-Off — Etching; display proof
24 Spaceman suite (1977/1978); Blast-Off — Etching; plate Blast-Off — Etching; plate
11 Spaceman suite (1977/1978); View of Earth and Moon — Etching; edition 32 of 50 View of Earth and Moon — Etching; edition 32 of 50
11 Spaceman suite (1977/1978); View of Earth and Moon — Etching; display proof View of Earth and Moon — Etching; display proof
24 Spaceman suite (1977/1978); View of Earth and Moon — Etching; plate View of Earth and Moon — Etching; plate
11 Spaceman suite (1977/1978); At the Controls — Etching; edition 32 of 50 At the Controls — Etching; edition 32 of 50
11 Spaceman suite (1977/1978); At the Controls — Etching; display proof At the Controls — Etching; display proof
24 Spaceman suite (1977/1978); At the Controls — Etching; plate At the Controls — Etching; plate
11 Spaceman suite (1977/1978); At the Controls — Etching; study for possible color enhancement for suite At the Controls — Etching; study for possible color enhancement for suite
11 Spaceman suite (1977/1978); Startled at the Beauty of the Galaxy or alternatively Amazed by the Galaxy — Etching; edition 32 of 50 Startled at the Beauty of the Galaxy or alternatively Amazed by the Galaxy — Etching; edition 32 of 50
11 Spaceman suite (1977/1978); Startled at the Beauty of the Galaxy or alternatively Amazed by the Galaxy — Etching; display proof Startled at the Beauty of the Galaxy or alternatively Amazed by the Galaxy — Etching; display proof
24 Spaceman suite (1977/1978); Startled at the Beauty of the Galaxy or alternatively Amazed by the Galaxy — Etching; plate Startled at the Beauty of the Galaxy or alternatively Amazed by the Galaxy — Etching; plate
11 Spaceman suite (1977/1978); Ground Control — Etching; edition 32 of 50 Ground Control — Etching; edition 32 of 50
11 Spaceman suite (1977/1978); Ground Control — Etching; display proof Ground Control — Etching; display proof
24 Spaceman suite (1977/1978); Ground Control — Etching; plate Ground Control — Etching; plate
11 Spaceman suite (1977/1978); Raptured View or alternatively Ecstatic View — Etching; edition 32 of 50 Raptured View or alternatively Ecstatic View — Etching; edition 32 of 50
11 Spaceman suite (1977/1978); Raptured View or alternatively Ecstatic View — Etching; display proof Raptured View or alternatively Ecstatic View — Etching; display proof
24 Spaceman suite (1977/1978); Raptured View or alternatively Ecstatic View — Etching; plate Raptured View or alternatively Ecstatic View — Etching; plate
11 Spaceman suite (1977/1978); Into the Stars — Etching; edition 32 of 50 Into the Stars — Etching; edition 32 of 50
11 Spaceman suite (1977/1978); Into the Stars — Etching; display proof Into the Stars — Etching; display proof
24 Spaceman suite (1977/1978); Into the Stars — Etching; plate Into the Stars — Etching; plate
11 Spaceman suite (1977/1978); Opening the Door — Etching; edition 32 of 50 Opening the Door — Etching; edition 32 of 50
11 Spaceman suite (1977/1978); Opening the Door — Etching; display proof Opening the Door — Etching; display proof
24 Spaceman suite (1977/1978); Opening the Door — Etching; plate Opening the Door — Etching; plate
11 Spaceman suite (1977/1978); Leap into the New — Exploration — Etching; edition 32 of 50 Leap into the New — Exploration — Etching; edition 32 of 50
24 Spaceman suite (1977/1978); Leap into the New — Exploration — Etching; plate Leap into the New — Exploration — Etching; plate
22 Star Clown (2008); serigraph; printer's proof
16 Star Clown (2008); stencils for serigraph production
22 Star Clown (2008); Photocopy of line drawing; used for creating the serigraph
22 Star Clown (2008); Photocopy of line drawing with additions in pencil; used for creating the serigraph
22 Star Clown (2008); giclée proof from a scanned image of a 4x5 painting; used for creating the serigraph
13 Star Clown (2008); Photocopy of sketch
22 Star Clown (2008); serigraph; progressive proof with 12 colors printed
22 Star Clown (2008); serigraph; front: color proof #28 (transparent cobalt violet); reverse: color proof #29 (light cadmium yellow) and #30 (transparent burnt yellow ochre)
22 Star Clown (2008); serigraph; working proof with 28 colors printed
22 Star Clown (2008); serigraph; front: color proof #17 (metallic gold); reverse: color proof (out of registration) of colors #10 - #14 with color testing
22 Star Clown (2008); serigraph; front: color proof #7 (ultra blue); reverse: color proof #27 (transparent quinacridone magenta 2)
22 Star Clown (2008); serigraph; front: color proof #9 (cadmium orange); reverse: color proof (out of registration) of colors #1-#3 and #5-#6
22 Star Clown (2008); serigraph; front: progressive proof with color testing; reverse: color proof #24 (transparent brown orange), #25 (cadmium yellow), and #27 (transparent quinacridone magenta 2)
22 Star Clown (2008); serigraph; color proof #29 (light cadmium yellow)
22 Star Clown (2008); serigraph; color proof #26 (white)
22 Star Clown (2008); serigraph; color proof #19 (quinacridone pink tint)
22 Star Clown (2008); serigraph; front: color proof #21 (red brown), #22 (light blue tint), and #23 (transparent ruby red); reverse: color proof #11 (transparent red orange)
22 Star Clown (2008); serigraph; front: color proof #11 (transparent red orange); reverse: color proof #27 (transparent quinacridone magenta 2)
22 Star Clown (2008); serigraph; front: color proof #14 (transparent quinacridone magenta 1); reverse: color proof of several colors (out of register) with color testing
22 Star Clown (2008); serigraph; front: progressive proof with six colors printed and additional painted color testing; reverse: color proof #10 (light ultra blue)
22 Star Clown (2008); serigraph; front: progressive proof with nine colors printed and additional painted color testing; reverse: color proof #12 (light cadmium yellow green), #13 (quinacridone rose tint), and #28 (transparent cobalt violet)
22 Star Clown (2008); serigraph; front: progressive proof with twelve colors printed and additional painted color testing; reverse: color proof #15 (flesh tint); #16 (transparent indigo blue) and #18 (transparent hooks green)
22 Star Clown (2008); serigraph; front: color proof #7 (ultra blue), #8 (transparent quinacridone rose), #9 (cadmium orange), #10 (light ultra blue), #14 (transparent quinacridone magenta), and #16 (transparent indigo blue); reverse side has a color proof on an unrelated piece of artwork
22 Star Clown (2008); serigraph; late progressive proof with painted color testing (on reverse side is a color proof of Papageno #25)
28 Story of Joseph (1986); serigraph; artist's proof
33 Story of the Prodigal Son (2004); serigraph; archival print
34 Story of the Prodigal Son (2004); color Proofs on mylar, colors #41-58.
34 Story of the Prodigal Son (2004); color proof on mylar Used for framing the individual panels.
34 Story of the Prodigal Son (2004); development concept drawings—later revised—for each panel.
34 Story of the Prodigal Son (2004); drawing of text, in pen, on mylar; excessive ink was scratched off.
34 Story of the Prodigal Son (2004); early Study, Colored pencil drawing on reproduction of panel #2, 2003.
34 Story of the Prodigal Son (2004); early Study, Colored pencil drawing on reproduction of panel #5, 2003.
34 Story of the Prodigal Son (2004); early Study, Pen and pencil sketch, 2003.
34 Story of the Prodigal Son (2004); negative of Original Drawing. This provided a sharp, opaque stencil to be used in printing of each panel.
34 Story of the Prodigal Son (2004); pen and ink on frosted acetate for each panel, completed in 2003.
34 Story of the Prodigal Son (2004); photocopy (at size) of color study on mylar in preparation for the third panel.
34 Story of the Prodigal Son (2004); photocopy (at size) of pen and ink study sketch of second panel.
34 Story of the Prodigal Son (2004); photocopy (at size) of pen and pencil preparatory sketch of pigs.
34 Story of the Prodigal Son (2004); photocopy (enlarged and digitally enhanced) of color study on mylar in preparation for the third panel.
34 Story of the Prodigal Son (2004); photocopy (enlarged and digitally enhanced) of pen and ink study sketch of second panel.
34 Story of the Prodigal Son (2004); photocopy (enlarged) of pen and ink study sketch of pigs.
34 Story of the Prodigal Son (2004); photonegative of the text.
34 Story of the Prodigal Son (2004); planning sketch of lettering used in the serigraph (both sides of the paper used).
34 Story of the Prodigal Son (2004); reproduced images of the 1971 serigraph Prodigal Son, used for planning the new serigraph.
33 Story of the Prodigal Son (2004); serigraph; collage painting over printed framework
33 Story of the Prodigal Son (2004); serigraph; progressive proof (10 colors printed with additional color testing)
33 Story of the Prodigal Son (2004); serigraph; progressive proof (15 colors printed with additional color testing)
33 Story of the Prodigal Son (2004); serigraph; progressive proof (20 colors printed with additional color testing)
33 Story of the Prodigal Son (2004); serigraph; progressive proof (30 colors printed with additional color testing)
33 Story of the Prodigal Son (2004); serigraph; progressive proof (34 colors printed with additional color testing)
33 Story of the Prodigal Son (2004); serigraph; progressive proof (37 colors printed with additional color testing)
33 Story of the Prodigal Son (2004); serigraph; progressive proof (40 colors printed with additional color testing)
33 Story of the Prodigal Son (2004); serigraph; progressive proof (42 colors printed with additional color testing)
33 Story of the Prodigal Son (2004); serigraph; progressive proof (47 colors printed with additional color testing)
33 Story of the Prodigal Son (2004); serigraph; progressive proof (49 colors printed with additional color testing)
34 Story of the Prodigal Son (2004); stencils for serigraph production, colors #41-58.
14 Story of Ruth (1991); serigraph; artist's proof
12 Supper (1972); pencil drawing
12 The Swimmers (1969); silkscreen; edition of 12
12 The Swimmers (1969); silkscreen; printed proof of outline
14 Take Away the Stone (2005); serigraph; archival print
19 Take Away the Stone (2005); serigraph; color proofs on Mylar
35 Take Away the Stone (2005); serigraph; negative stencil
34 Take Away the Stone (2005); serigraph; planning proofs, sketches, and work product used in the development of the serigraph
19 Take Away the Stone (2005); serigraph; stencils for serigraph production
15 Tales of Hoffmann (2001); serigraph; archival proof
37 Tales of Hoffmann (2001); serigraph; color proof containing colors #22 and #31.
35 Tales of Hoffmann (2001); serigraph; front: out-of-registration proof with painting tests; reverse: Francis and the Wolf; serigraph; color proof #24 Francis and the Wolf; serigraph; color proof #24
35 Tales of Hoffmann (2001); serigraph; front: out-of-registration proof; reverse: Francis and the Wolf; serigraph; color proof ##6-7 Francis and the Wolf; serigraph; color proof ##6-7
14 Tales of Hoffmann (2001); serigraph; front: progressive proof with 34 colors printed; reverse: color proof with six colors printed
17 Tales of Hoffmann (2001); stencils for serigraph production
29 Time to Heal (2016); giclée; artist's proof
29 Time to Heal (2015); giclée; working proof
31 The Train Station (1975); serigraph; artist's proof
14 Tree Planting (1974); serigraph; 15 colors; edition 19 of 40
13 Tumblers (1986); etching
28 Unemployed Man (circa 1972); serigraph; edition 49 of 50
12 Untitled (1968); Lettering; original hand-printed work from the artist's own carved alphabet
36 8 Untitled and incomplete engraving (undated) clown/circus print, copper plate
32 A Visit (1995); serigraph; near complete progressive proof on tag board, 1995)
32 A Visit (1995); serigraph; incomplete progressive proof and early painting on tag board, 1995)
32 A Visit (1995); serigraph; front: progressive proof (15 colors printed); reverse: color proof (10 colors printed)
32 A Visit (1995); serigraph; front: progressive proof (35 colors printed); reverse: color proof (10 colors printed)
32 A Visit (1995); serigraph; front: progressive proof (40 colors printed); reverse: color proof (6 colors printed)
31 Washing of the Feet (2000); serigraph; archival print
35 Washing of the Feet (2000); serigraph; front: cancelled proof with all the colors printed, discarded due to printing flaws; reverse: Daniel (2000); serigraph; color proof with colors ##13, 15, and 18 printed Daniel (2000); serigraph; color proof with colors ##13, 15, and 18 printed
31 Washing of the Feet (2000); serigraph; color proof #27 (transparent medium paynes gray #1)
31 Washing of the Feet (2000); serigraph; color proof #6 (transparent golden ochre)
15 Washing of the Feet (2000); serigraph; front: completed proof on damaged paper; reverse: Daniel (2000); serigraph; color proof with color #31 printed Daniel (2000); serigraph; color proof with color #31 printed
31 Washing of the Feet (2000); serigraph; front: progressive proof (8 colors printed with color tests); reverse: color proof #15 (lilac)
35 Washing of the Feet (2000); serigraph; front: progressive proof (9 colors printed with additional test painting); reverse: color proof with colors ##14, 19, and 20 printed overlay with Daniel (2000); serigraph; color proof with colors ##25 and 26 printed Daniel (2000); serigraph; color proof with colors ##25 and 26 printed
31 Washing of the Feet (2000); serigraph; front: progressive proof (12 colors printed); reverse: color proof #13 (Turquoise)
35 Washing of the Feet (2000); serigraph; front: progressive proof (13 colors printed used for registration); reverse: color proof with color #24 printed overlay with Daniel (2000); serigraph; color proof with colors ##2-5 printed Daniel (2000); serigraph; color proof with colors ##2-5 printed
35 Washing of the Feet (2000); serigraph; front: progressive proof (13 colors printed with additional test painting); reverse: Tales of Hoffman (2001); serigraph; color proof with colors ##5 and 6 printed overlay with Jester (2000); serigraph; color proof with color #22 printed Tales of Hoffman (2001); serigraph; color proof with colors ##5 and 6 printed overlay with Jester (2000); serigraph; color proof with color #22 printed
31 Washing of the Feet (2000); serigraph; front: progressive proof (17 colors printed); reverse: color proof #17 and 19 (cobalt blue and transparent turquoise)
31 Washing of the Feet (2000); serigraph; front: progressive proof (20 colors printed); reverse: color proof #21 (orange ochre)
35 Washing of the Feet (2000); serigraph; front: progressive proof (33 colors printed) out of registration; reverse: color proof with #18 printed; overlay with Daniel (2000); serigraph; color proof with color #33 printed Daniel (2000); serigraph; color proof with color #33 printed
35 Washing of the Feet (2000); serigraph; front: progressive proof near complete with additional test painting; reverse: color proof with colors ##27-30 printed
35 Washing of the Feet (2000); serigraph; front: proof with colors that were changed; reverse: Daniel (2000); serigraph; color proof #18 (transparent dioxazine purple) Daniel (2000); serigraph; color proof #18 (transparent dioxazine purple)
17 Washing of the Feet (2000); Photocopy of ink drawing for stencil color #12 (transparent sepia)
17 Washing of the Feet (2000); Registration proof #9 (transparent geranium) on Mylar
17 Washing of the Feet (2000); stencils for serigraph production
13 Washing of the Feet (2000); drawings on Mylar
31 Washing of the Feet (2000); serigraph; color proof #9 (transparent geranium) (on reverse side is Festival of Lights print, out of register)
28 Wedding Feast (1996); serigraph; printer's proof V/V
28 William Kunstler (2017); mixed media collage.
14 Within You and Without You (1969); serigraph; printed on German etching paper; edition of 20
12 Workers and Protest (1971); pen, pencil, and crayon drawing
12 Miscellaneous Drawings; drawing montage in pen (1969)
13 Miscellaneous Drawings; drawings of birds in pencil and color pencils (on reverse side is a drawing study for Minstrel (1975)
12 Miscellaneous Drawings; drawing of Good Samaritan Scenes in ink (1992)
27 Miscellaneous Drawings; Facsimile Sketchbook (1998-2004)
Poster Collection
20 Access to Safe Drinkable Water poster featuring Moses painting, 2016.
20 "And Who Is My Neighbor?" featuring Good Samaritan, 2017
20 Building Our Common Home, 2015.
20 By your Spirit You Move Human Hearts — peace poster 1, 2014.
20 By your Spirit You Move Human Hearts — peace poster 2, 2014.
20 Classroom (Spending on Nuclear Weapons), 2015.
20 Classroom (Spending on Nuclear Weapons) test proofs, 2015.
20 Entry into the City (Nuclear Weapons Are Banned Once and For All), 2015.
20 Entry into the City (Nuclear Weapons Are Banned Once and For All) test proofs, 2015.
20 Family Picnic poster, 2014.
20 Family Picnic poster test proofs, 2014.
20 Festival of Lights (Ensure that nuclear weapons are banned once and for all), 2015
20 Festival of Lights (Ensure that nuclear weapons are banned once and for all) test proofs, 2015
20 Five Dollar Gold Piece (Rainbow), 2015.
20 Five Dollar Gold Piece (White), 2015.
20 Francis canticle poster, 2014.
20 "Health Is Not a Consumer Good" featuring Time to Heal, 2017.
20 Healthcare poster featuring Time to Heal, 2017.
20 Healthcare is a Human Right, 2017.
20 Hunger poster featuring Bakers, 2014.
20 Hunger poster featuring Mexican Picnic, 2014.
20 Hunger poster featuring black and white version of Bakery, 2014.
20 Hunger poster featuring monochrome version of Bakery, 2014.
20 Immigration poster, 2014.
20 "If We Don't End War, War Will End Us" featuring Bomb Factory, 2017.
12 Immigration notes, proofs, and drawings, 2014.
20 Immigration (Family), 2015.
20 Immigration (Family) test proofs, 2015.
20 Journey through the Wilderness, 2015.
20 Leap Into the New poster, 2014.
12 Leap Into the New proofs, concepts, and development pieces, 2014.
20 "Listen to the Earth Crying" featuring Francis Listens to the Fish, 2018.
20 Living Wage featuring quotations by Martin Luther King, Jr, Pope Francis, and Elizabeth Warren, 2018.
36 Martin Luther King, Jr. poster development materials, 2012.
20 Mexican Picnic early proof, 2014.
14 Power to the People adapted poster, 2009.
20 Praised Bee - Protect the Bees, 2017.
20 Rainbow Runners, 2015.
20 Rainbow Runners test proofs, 2015.
15 Seeds of Brotherhood black and white poster (1973/2012.
20 Sister Water poster, 2016.
20 St. James-by-the-Sea exhibition posters, 2013.
20 Stanford Street, 2015.
20 Stanford Street test proofs, 2015.
20 Stew Kitchen poster, 2014.
20 Stew Kitchen poster test proofs, 2014.
15 Struggle for Justice larger format, 1972/2012.
20 Struggle for Justice smaller format, 2015.
20 Struggle for Justice smaller format test proofs, 2015.
20 "This will be our reply to violence: to make music" featuring The Orchestra (1979), 2018.
15 United Farm Workers Fund Raiser poster, 1972.
20 Washing of the Feet poster, 2000.
20 "We Need More Money for Jobs, Education, Healthcare, and Infrastructure" featuring Library, horizontal design, 2017.
20 "We Need More Money for Jobs, Education, Healthcare, and Infrastructure" featuring Library, vertical design, 2017.
20 "We need to strengthen the conviction that we are one single human family" featuring The Restaurant (1974), 2018.
20 A World without Nuclear Weapons, 2015.
20 Who Is My Neighbor? poster featuring Good Samaritan, 2017. Good Samaritan, 2017.
20 Workers minimum wage poster, 2014.
20 Yes on Proposition 34 poster featuring Crucifixion; version 1, 2012.
20 Yes on Proposition 34 poster featuring Crucifixion; version 2, 2012.
20 Yes on Proposition 34 poster featuring Crucifixion; version 3, 2012.
20 Yes on Proposition 34 poster featuring Crucifixion; version 4, 2012.
20 Yes on Proposition 57 poster, version 1, 2016.
20 Yes on Proposition 57 poster, version 2, 2016.
20 Yes on Proposition 62 poster, English, version 3 featuring Story of Three Young Men, 2016.
20 Yes on Proposition 62 poster, version 1 (English), 2016.
20 Yes on Proposition 62 poster, version 1 (Spanish), 2016.
20 Yes on Proposition 62 poster, version 2 (English), 2016.
20 Yes on Proposition 62 poster, version 2 (Spanish), 2016.
20 "You really can change the world if you care enough" featuring The Inventor (1975), 2018.
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