Collection Stored Off-Site
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Subseries 2.1
Poetry, circa
1960s-2006
Boxes 8-23, 66-73, 113, 115 and OP 2-4, 163, 165
Scope and Content Note
The subseries consists of the poetry of Paul Muldoon from the 1960s-2006, including manuscript and typescript drafts, as well as proofs and other material relating to the publication process. The earliest poems in the collection were located in a single file labeled "First Poems" followed by a similar file labeled "Early Poems." The distinction between these two files has been preserved even though a number of these poems were later published in the early chapbooks--Knowing My Place and Spirit of Dawn--as well as in New Weather and in Mules. Later manuscripts follow more closely the chronology of Muldoon's published work. Groups of poems that could not clearly be linked to any one collection have been arranged in approximate chronological order as follows: Miscellaneous poems, circa 1978-1983, Miscellaneous poems, circa 1983-1986, Miscellaneous poems, circa 1986-1996 and Uncollected poetry, circa 1995-2000. Where poems lack a clear title, they have been alphabetized by their first line (indicated with an ellipses).
Arrangement Note
Arranged in chronological order by volume.
Juvenilia ("First Poems") | ||
Box | Folder | Content |
---|---|---|
8 | 1 | "An Gaelige . . ." single holograph draft |
8 | 2 | "Aphasia" (aka "Mass in Gaeltacht"?), single holograph draft |
8 | 3 | "Calandar"(sic) and "[Idol?] Essence," single holograph draft |
8 | 4 | "Cincinnatus," single holograph draft |
8 | 5 | "Crab," single holograph draft |
8 | 6 | "Crow is no tin lid . . ." and "At The Still" and "Masseur," single holograph draft |
8 | 7 | "Crux," single holograph draft |
8 | 8 | "Delph egg Oracle," single holograph draft |
8 | 9 | "dulce et . . ." four-page holograph draft |
8 | 10 | "Fifty-Fifty," single holograph draft |
8 | 11 | "Fixed," single holograph draft |
8 | 12 | "For Seamus Heaney, On Winning a Somerset Maugham Award," single holograph draft |
8 | 13 | "Fréigean," single holograph draft |
8 | 14 | "Haiku, Exclusively for Mr. John McCarter," single holograph draft |
8 | 15 | "The Iron Island," one two-sided uncorrected typescript and six-page holograph draft, subtitled "A Defence of Caliban"/"Gaoth Dobhair," with"The Proper Tit" on back |
8 | 16 | "Jeunesse dorée," subtitle "Lough Derg," single holograph draft |
8 | 17 | "Key to Heaven," single holograph draft |
8 | 18 | "Leaving Station Island, Lough Derg," "Mushroom Cellar," and "Epithalamium-Humanae Vitae," single holograph draft |
8 | 19 | "Lever Saying Die," single holograph draft |
8 | 20 | ["Luv blas"], single holograph draft |
8 | 21 | "The man is just a stand in . . ." single holograph draft |
8 | 22 | "Manicurist" and "Drug Edict," single holograph draft |
8 | 23 | "Mass via media," single holograph draft |
8 | 24 | "Minor," single holograph draft |
8 | 25 | "The mist and . . ." single corrected holograph draft |
8 | 26 | "Office," single holograph draft |
8 | 27 | "Phyrrus," single holograph draft |
8 | 28 | "Prayer for Vocation," single holograph draft |
8 | 29 | "Preshave Locution," single holograph draft |
8 | 30 | "Reader's Digestive Tract," single holograph draft |
8 | 31 | "Rolled a great stone . . ." single holograph draft, dated October 1967 |
8 | 32 | "Rome '66," single mimeographed page from school newsletter |
8 | 33 | "Saturday" and "Visitor," single holograph draft |
8 | 34 | ["Secateurs shy"], single holograph draft |
8 | 35 | "She Arose," single holograph draft |
8 | 36 | "Solitude" and "Mrs. Hackney," single holograph draft |
8 | 37 | "Song for Passiontide," two-page holograph draft |
8 | 38 | "Sorrel shoed . . ." single holograph draft |
8 | 39 | "Spleen," two-page holograph draft |
8 | 40 | "Springe," single holograph draft |
8 | 41 | "Talcum," single holograph draft |
8 | 42 | ["Te Absolod"], single holograph draft |
8 | 43 | "Thisbe," single holograph draft |
8 | 44 | "Vacation," two-page holograph draft |
8 | 45 | "A View of Caliban," single manuscript |
8 | 46 | "Where?" three-page holograph draft |
8 | 47 | "White Telephone," single holograph draft |
"Early Poems" | ||
8 | 48 | "The Affair," single corrected typescript |
8 | 49 | "Aisling," single typescript |
8 | 50 | "Alba," single corrected typescript, two-sided |
8 | 51 | "Amazonia," single typescript |
8 | 52 | "America," two typescripts [See also variant title "Stampede" |
8 | 53 | "Armageddon," single typescript |
8 | 54 | Armageddon typescript pamphlet with corrections, including "Armageddon" [See also Mules: "Armageddon, Armageddon"], "The Field Hospital," "Sir Walter," and "Stampede," with multiple typescript drafts of "Armageddon" |
8 | 55 | "Back," single typescript |
8 | 56 | "Badger," single holograph draft, backed with redacted Michael Longley's "Wounds" |
8 | 57 | "The Ballad of Moll Pulldown," two typescripts with minimal holograph corrections [See also Lines for the Girl Who Ate the Apples] |
8 | 58 | "Balloon Talk" single typescript |
8 | 59 | "Balls," single typescript, title crossed out [See also "The Girls in the Poolroom"] |
8 | 60 | "The Bed Not Slept In," single typescript |
8 | 61 | "Belfast," single typescript |
8 | 62 | "Belfast to Dublin" and "Boogie" and "Cat's Cradle" and "Fancy Dress," single corrected typescript, dated May 2, 1973 |
8 | 63 | "The Big House," single corrected typescript |
8 | 64 | "Bitters," single corrected typescript |
8 | 65 | "Blues for a Boy," single typescript |
8 | 66 | "Bolg Chonaill," single typescript |
8 | 67 | "Bronagh," multiple typescript drafts |
9 | 1 | "Caravan" and "Ropemakers," two-page corrected manuscript |
9 | 2 | "The Castrati," two typescript drafts with some holograph corrections |
9 | 3 | "Ceann Cait," single typescript |
9 | 4 | "Central Park," single typescript |
9 | 5 | "Centre Piece," two typescript drafts with short holograph note |
9 | 6 | "The Charcoal Burner," single typescript |
9 | 7 | "Cheesecake," multiple typescript drafts with some holograph corrections |
9 | 8 | " Considering the Islands," single typescript |
9 | 9 | "A Conversation With Yeats," single corrected typescript [See also "The Groundsman"] |
9 | 10 | "The Country Club," two corrected typescripts, one backed with unidentified fragment ["Hazel"] and one with several lines of "The Country Club" on reverse |
9 | 11 | "Cuba," single corrected typescript |
9 | 12 | "Dandelion Clock," single typescript |
9 | 13 | Dánta typescript packet of Irish poems, including "Eagmais," "Scoite," "Bolg Chonaill," "Idir," and "Ceann Cait"; two complete packets and first page ("Eagmais" to "Bolg Chonaill") of another 14 "The Digger looked right through me . . ." single corrected typescript |
9 | 15 | "The Disappearance of the Lark," single typescript |
9 | 16 | "Dixon on Tory," single typescript |
9 | 17 | "[Dream in] The Green Room," single typescript |
9 | 18 | "The Drowned Blackbird, after Mac Cuarta," single typescript with holograph notes |
9 | 19 | "The Ducking Stool," single corrected typescript |
9 | 20 | "The Dugout," single typescript |
9 | 21 | "Eagmais," single typescript |
9 | 22 | "Emblem," single typescript backed with fragment of Oisin play |
9 | 23 | "The Enquiry," single typescript |
9 | 24 | "Evensong," single typescript |
9 | 25 | "A Flock of Robins," single typescript |
9 | 26 | "For a Wife," single typescript |
9 | 27 | "For Seamus Heaney, Who Gives Horses," single typescript |
9 | 28 | "Fox Sleep," single typescript |
9 | 29 | ["FX Sea and Wind . . . ."], single corrected typescript |
9 | 30 | Gazelle Boy," single photocopied typescript |
9 | 31 | "Genealogy," single typescript |
9 | 32 | "Gifts," single xeroxed typescript, crossed out |
9 | 33 | "The Glass Boat," single typescript |
9 | 34 | "Going Away," single typescript with minimal holograph corrections |
9 | 35 | "The Goods," two corrected typescripts |
9 | 36 | "Green Apples," single corrected typescript |
9 | 37 | "Greim," single typescript |
9 | 38 | "The Groundsman," single typescript [See also "A Conversation With Yeats"] |
9 | 39 | "Hairy Mary," single typescript |
9 | 40 | "The Hawk in Armagh," single typescript |
9 | 41 | "Heirloom," single corrected typescript |
9 | 42 | "History," single typescript |
9 | 43 | "Hitler," two typescripts, one with holograph corrections |
9 | 44 | "Home," two corrected typescripts, one page backed with page from Oisin play |
9 | 45 | "Homecomings," single corrected typescript |
9 | 46 | "I know a boy . . ." single typescript |
9 | 47 | "iD," single typescript |
9 | 48 | "Idir," single typescript [See also Dánta] |
9 | 49 | "Idir" and "Ceann Cait," single typescript with "Ceann Cait" crossed out [See also Dánta] |
9 | 50 | Imreanna, title page |
9 | 51 | "The Inheritors," single typescript |
9 | 52 | "The Initiation," single typescript |
9 | 53 | "Ireland," single corrected typescript |
9 | 54 | "January," single typescript |
9 | 55 | "Kate Whiskey," single typescript |
9 | 56 | "Lammas," single corrected typescript |
9 | 57 | "The Lap Dog," single corrected typescript |
9 | 58 | Lines for the Girl Who Ate the Apples, multiple typescripts, including "Saga," "The Music Lesson," "The Sharping Stone," "Cheesecake," "Storm People," "Faces," "The Apartment," "On a Dog of Unlike Eyes," "Lines for the Girl Who Ate the Apples," "Surprise, Surprise," "Mermaid Purse," "The Pink Tandem," "Theo," "The Man Without a Name" and "The Ballad of Moll Pulldown" |
9 | 59 | "Lines for the Girl Who Ate the Apples," single typescript |
9 | 60 | "Linnets," two holograph drafts |
9 | 61 | "Little Skellig," single corrected typescript |
9 | 62 | "The Long Weekend," single corrected typescript |
9 | 63 | "II: 'Look,' she said . . ." single corrected typescript |
9 | 64 | "Lord Hawhaw," single corrected typescript |
9 | 65 | "Lough Derg, 1969," single typescript |
9 | 66 | "Lull," single corrected typescript |
9 | 67 | "Lying on a Sheet of Glass in T.'s Garden," single typescript |
9 | 68 | "The Man Without a Name," single typescript with holograph note |
9 | 69 | "Marble Cake," single typescript |
9 | 70 | "Marble Orchard III: I used to think . . ." single typescript with minimal corrections |
9 | 71 | "Mercy" [tentatively titled "When the Bough Breaks"], two corrected typescript drafts |
9 | 72 | "Mercy was thirteen . . ." single corrected typescript |
9 | 73 | "Mermaid Purses," single corrected typescript |
9 | 74 | "Mileages," single corrected typescript |
9 | 75 | "Missing Persons," holograph draft and single corrected typescript |
9 | 76 | "Mouth to Hand," single corrected typescript |
9 | 77 | "The Moy Clock," two typescript drafts |
9 | 78 | Mules, early tables of contents and related holograph notes |
9 | 79 | "The Music Lesson," single typescript |
9 | 80 | "Must," single corrected typescript |
10 | 1 | "Ned Skinner," two corrected typescripts, one with holograph Mules table of contents on back |
10 | 2 | "Nettle Soup," single typescript |
10 | 3 | "No Longer Children" and "Song," single corrected typescript |
10 | 4 | "IV: On a Dog of Unlike Eyes," single typescript [See also Lines for the Girl Who Ate the Apples] |
10 | 5 | Other Poems, single typescript title page |
10 | 6 | "The Other Woman," single typescript |
10 | 7 | "Our Lady of Ardboe," multiple corrected typescripts |
10 | 8 | "Palm Sunday," single corrected typescript |
10 | 9 | Perfect Strangers, single typescript title page |
10 | 10 | "Perhaps," single typescript crossed out and dated August 1971 |
10 | 11 | "The Pink Tandem," single typescript |
10 | 12 | "Please Remember This," single holograph draft |
10 | 13 | "Poetry," single corrected typescript |
10 | 14 | "Prologue to the Loyalist's Tale," single typescript |
10 | 15 | "Promises, Promises," single corrected typescript |
10 | 16 | "Ra," single typescript |
10 | 17 | "Rabies," two typescript drafts with minimal holograph corrections |
10 | 18 | "Rapunzel," single corrected typescript with corrected photocopy |
10 | 19 | "Recent Reading," single holograph draft |
10 | 20 | "Rodgers at Loughgall," single typescript |
10 | 21 | "Saga," single typescript with minimal holograph corrections |
10 | 22 | "Sally," single typescript |
10 | 23 | "The Salt-Lick," single corrected typescript |
10 | 24 | "Sappho on Lesbos," single corrected typescript |
10 | 25 | "Scoite," single typescript [See also Dánta] |
10 | 26 | "Serenade," single typescript [See also "Together We Fall"] |
10 | 27 | "The Sharping Stone," single typescript [See also Lines for the Girl Who Ate the Apples] |
10 | 28 | "Sir Walter," single typescript with title page |
10 | 29 | "Sister and Seascape," single typescript |
10 | 30 | "Small Talk," single typescript |
10 | 31 | "A Song for Simon," single typescript |
10 | 32 | "Spirit of Dawn," single photocopy of typescript |
10 | 33 | "Stampede," multiple corrected typescript drafts [See also variant title "America"] |
10 | 34 | "Star Imagery," single page holograph notes |
10 | 35 | "Storm People," single typescript with minimal holograph note |
10 | 36 | "Surprise, Surprise," single corrected typescript and holograph notes |
10 | 37 | Sweet Nothings, typescript and holograph title pages with holograph notes |
10 | 38 | "Tableau," two corrected typescript drafts |
10 | 39 | "The Telephones," single typescript |
10 | 40 | "Telling it like it is . . ." single typescript |
10 | 41 | "The whole is . . ." single corrected typescript |
10 | 42 | "Theo," single typescript |
10 | 43 | "There has been a change . . ." single corrected typescript |
10 | 44 | "These people have shut . . ." single typescript |
10 | 45 | "Thistles," single typescript with minimal holograph correction |
10 | 46 | "Threshing Day," single typescript |
10 | 47 | "Together We Fall," two-page corrected prose typescript, dated "Easter 1970" [See also "Serenade"] |
10 | 48 | "Truce," single corrected typescript |
10 | 49 | "Tschiffley's Ride," two typescript drafts, one backed with page from Oisin play |
10 | 50 | Two, typescript title page |
10 | 51 | "Uncle Pat," single corrected typescript |
10 | 52 | "The Upriver Incident," single typescript |
10 | 53 | "Vandals," single corrected typescript |
10 | 54 | "Vespers," single typescript |
10 | 55 | The Walled Garden: Love Poems, incomplete typescript with holograph corrections |
10 | 56 | "Waterskiers -- Lough Neagh," single typescript |
10 | 57 | "The Weepies," single corrected typescript |
10 | 58 | "Wildtrack," single corrected typescript |
10 | 59 | "Wolf Children," single typescript |
10 | 60 | "You remember Churchill . . ." single holograph draft |
10 | 61 | "Your face is the nought . . ." single typescript |
10 | 62 | Your Place or Mine, typescript title page |
10 | 63 | Unidentified prose fragments |
10 | 64 | Photocopies of typescripts, including "Armageddon," "The Narrow Road to the Deep North," "Duffy's Circus," "Mules," "A Summer Night," "Ma," and "Cass and Me" (original grouping preserved) |
10 | 65 | Typed epigraphs from Tennyson, Cochise, and Black Elk, with holograph notes |
10 | 66 | Miscellaneous holograph notes |
10 | 67 | Miscellaneous tables of contents drafts and lists of potential places for publication of poems |
10 | 68 | Photocopies of a timeline re: Aughrim and "A Ballad of Master McGrath" |
Knowing My Place (1971) [See Early Poems] | ||
New Weather (1973) [See also Early Poems] | ||
11 | 1 | New Weather, corrected typescript draft |
11 | 2 | New Weather, typescript with minimal holograph notes re: pagination |
11 | 3 | New Weather, page proofs |
11 | 4 | New Weather, sheet proofs with holograph corrections and envelope from Faber and Faber |
11 | 5 | New Weather, sheet proofs with minimal holograph corrections |
Spirit of Dawn (1975) [See Early Poems] | ||
Mules (1977) [Muldoon's original folder title: "Mostly Mules"] | ||
11 | 6 | "The Apartment," multiple typescript drafts |
11 | 7 | "The Apartment" and "The Riders," typescript draft with holograph note [See also "The Centaurs" and "The Riders"] |
11 | 8 | "Armageddon, Armageddon" [variant titles "A Summer Night" and "Mouse Island"], multiple typescript drafts |
11 | 9 | "At Master McGrath's Grave," single typescript title page |
11 | 10 | "The Bay of Pigs" [variant title for "Cuba"], typescript draft |
11 | 11 | "The Big House," multiple typescript drafts with title page |
11 | 12 | "The Big House," single corrected typescript with "Ned Skinner" on back |
11 | 13 | "Big Liz" [variant title "A Northern Club"], multiple holograph drafts |
11 | 14 | "Boom," multiple typescript drafts |
11 | 15 | "Brides," single corrected typescript |
11 | 16 | "Bronagh," multiple typescript drafts |
11 | 17 | "Cass and Me," multiple typescript drafts |
11 | 18 | "The Centaurs," single typescript [See also "The Riders"] |
11 | 19 | "Cheesecake," single corrected typescript |
11 | 20 | "Cider," multiple typescript drafts |
11 | 21 | "Corn Fiddler," single typescript |
11 | 22 | "The Country Club," multiple typescript drafts |
- | - | "Cuba," [See "Bay of Pigs"] |
11 | 23 | "Drifters: Gazelle Boy," single typescript title page |
11 | 24 | "Drifters:[vz?]," single typescript title page |
11 | 25 | "Drifters: Gazelle Boy" and "Vaquero," single typescript with minimal holograph corrections [See also "Icon"] |
11 | 26 | "The Ducking Stool," single typescript draft with holograph notes |
11 | 27 | "Duffy's Circus," single typescript |
11 | 28 | "Dumb Waitrr [Sic] Hectoring," single typescript title page |
11 | 29 | "Epona," [variant titles "Pegasus" and "In Parson's Meadow"], multiple typescript drafts |
11 | 30 | "The Girls in the Poolroom," multiple typescript drafts |
11 | 31 | "The Glass Boat," multiple typescript drafts |
11 | 32 | "The Harvest Bow," single corrected typescript |
11 | 33 | "Icon," single typescript [See also "The Rucksack" and "Drifters: Gazelle Boy"] |
11 | 34 | "The Lament for Art O'Leary" and/or "Keen," holograph titles |
11 | 35 | "The Lament for Art O'Leary," single typescript title page |
11 | 36 | "Largesse" [variant title for "Psalm" and "The Pink Tandem"], multiple typescript drafts |
11 | 37 | "Linnets," single typescript title page |
11 | 38 | "Ma," single typescript |
11 | 39 | "Martha's Deli," single corrected typescript with one line from "The Rucksack" on back |
11 | 40 | "The Narrow Road to the Deep North," single typescript with title page |
11 | 41 | "Ned Skinner," multiple typescript drafts and holograph notes [See also "The Big House"] |
11 | 42 | "Now we had gathered . . ." single typescript |
11 | 43 | "Once in the New Forest . . ." [variant title "To the Woods"], single typescript |
11 | 44 | "Our Lady of Ardboe," multiple typescript drafts |
11 | 45 | "Promises, Promises," multiple typescript drafts |
11 | 46 | "The Riders" [variant title "Herman Confer's"], holograph title page [See also "The Centaurs" and "The Apartment] |
11 | 47 | "The Rucksack," holograph and typescript draft with "Icon" on the back [See also "Martha's Deli" |
11 | 48 | "Sir Walter,"single typescript |
11 | 49 | "Spirit of Dawn," single corrected typescript |
11 | 50 | "Stampede," multiple typescript drafts |
11 | 51 | "Stampede" and "Patronage/ The Two Patrons - after the Gaelic," single typescript with minimal holograph corrections |
11 | 52 | "Sullivan's Wife. . ." multiple holograph drafts |
11 | 53 | "The Swing," single corrected typescript |
11 | 54 | "Vaquero," single typescript [See also "Drifters: Gazelle Boy"] |
12 | 1 | Notes for publication of Mules poems |
12 | 2 | Mules, "final typescript" with some holograph corrections |
12 | 3 | Mules, sheet proofs with minimal holograph corrections |
12 | 4 | Mules, photocopy of corrected typescript with cardboard folder |
12 | 5 | Mules, multiple typescript title pages |
12 | 6 | Mules, two early tables of contents, one with holograph corrections |
12 | 7 | Source materials from "Mostly Mules" file |
Why Brownlee Left (1980) | ||
12 | 8 | Why Brownlee Left, multiple typescript drafts of tables of contents |
12 | 9 | "Immram," incomplete corrected typescript with holograph notes |
12 | 10 | Why Brownlee Left, typescript, setting copy with holograph corrections [See also Miscellaneous Poems, circa 1978-1983] |
12 | 11 | Various poems written by others about Why Brownlee Left |
Quoof (1983) | ||
12 | 12 | The More a Man Has, The More a Man Wants [variant title for Quoof], typescript with minimal holograph corrections |
12 | 13 | Quoof, corrected typescript |
12 | 14 | Quoof, proofs with holograph corrections [See also Miscellaneous Poems, circa 1978-1983] |
Selected Poems, 1968-1983 | ||
12 | 15 | Holograph notes for Selected Poems |
12 | 16 | Selected Poems 1968-1983 (Faber edition), corrected typescript with assembled photocopies |
12 | 17 | Selected Poems 1968-1983 (Faber edition), page proofs with holograph corrections |
12 | 18 | Selected Poems 1968-1983 (Faber edition), drafts of table of contents |
Miscellaneous Poems, circa 1978-1983 | ||
12 | 19 | "The Affair," single corrected typescript |
12 | 20 | "Aftermath," single typescript |
12 | 21 | "Anarchy," single corrected typescript [See also "The Groundsman"] |
12 | 22 | "The Apartment," single corrected typescript |
12 | 23 | "The Bald Patch," |
12 | 24 | "Big Foot in Death," title pages with holograph notes |
12 | 25 | "Blight," single holograph draft |
12 | 26 | "Bloom Sunday," single typescript |
12 | 27 | "Blossom," single corrected typescript |
12 | 28 | "The Brothers," single corrected typescript |
12 | 29 | "A Christmas Truce," single typescript |
12 | 30 | "Edward Kienholz: The State Hospital," single corrected typescript |
12 | 31 | "Emblem," single holograph draft |
12 | 32 | "The End," single corrected typescript |
12 | 33 | "Ether," single corrected typescript with title page |
12 | 34 | "The Flight," single corrected typescript |
12 | 35 | "The Floosies," single typescript with holograph notes |
12 | 36 | "Gathering Mushrooms," early typescript draft, with photocopied clipping |
12 | 37 | "Glanders," single page of holograph notes |
12 | 38 | "The Glass Boat," single corrected typescript |
12 | 39 | "The Goal," single corrected typescript |
12 | 40 | "Going Away," single typescript with title crossed out [See also "Promises, Promises"] |
12 | 41 | "The Groundsman," single typescript with holograph notes [See also "Anarchy"] |
12 | 42 | "Her Last Man," multiple typescript drafts [See also "Smalltalk"] |
12 | 43 | "The High Chair," single typescript |
12 | 44 | "High Hedges," single corrected typescript |
13 | 1 | "The Hip-Gatherers," single corrected typescript |
13 | 2 | "The Home," single corrected typescript |
13 | 3 | "Initial Deception," multiple typescript drafts with holograph notes |
13 | 4 | "The intra-uterine device . . ." single corrected typescript [See also "Mushrooms"] |
13 | 5 | "James Dixon: The First Tractor That Ever Came to Tory," single typescript |
13 | 6 | "Kiss and Tell," holograph notes, with title page for proposed collection [See also The O-O's Party, Subseries 2.4, Children's Poetry] |
13 | 7 | "Lord Haw-Haw," single typescript |
13 | 8 | "Lost Ground," single corrected typescript |
13 | 9 | "The Love Poem," single typescript |
13 | 10 | "Missing Persons," multiple typescript drafts |
13 | 11 | "The More a Man Has, The More a Man Wants," corrected typescript (circa 73 pages) with complete photocopy of file contents |
13 | 12 | "Mother May Die," single holograph draft |
13 | 13 | "The Mushroom House," single holograph draft |
13 | 14 | "The mushroom spawn . . ." single typescript with holograph notes |
13 | 15 | "Mushrooms," single corrected typescript |
13 | 16 | "My father is listening to the wireless . . ." single typescript |
13 | 17 | ["No Surrender: Plantation"], single corrected typescript |
13 | 18 | "November," single corrected typescript |
- | - | "The O-O's Party" [See Subseries 2.4, Children's Poetry] |
13 | 19 | "The Patrons," multiple typescript drafts with holograph notes |
13 | 20 | "The Pen-Pal," single holograph draft |
13 | 21 | "The Perimeter Fence," single typescript |
13 | 22 | "Pillow Talk," single typescript |
13 | 23 | "Promises, Promises," single typescript [See also Mules and "Going Away"] |
13 | 24 | "Rapunzel," single corrected typescript |
13 | 25 | "Sir Walter," single typescript |
13 | 26 | "Small Talk," single typescript draft [See also "The Love Poem" and "Her Last Man"] |
13 | 27 | "Stampede" [variant title for "The Widow-Maker"], single corrected typescript |
13 | 28 | "Sweet Nothings," single corrected typescript |
13 | 29 | "The Swing," single typescript |
13 | 30 | "A Stray Bullet," single typescript |
13 | 31 | "The Studio," single typescript |
13 | 32 | The Unicorn Defends Himself, title page with third stanza and postcard of painting from the Metropolitan Museum of Art |
13 | 33 | "When I was in Holy Angels Grade School . . ." holograph draft |
13 | 34 | "When Ulysses braved the wine-dark sea . . ." holograph draft |
13 | 35 | "The world on a plate . . ." single corrected typescript |
13 | 36 | "Yggdrasill," multiple typescript drafts |
13 | 37 | "The Young Executive," single typescript |
13 | 38 | Untitled fragments and loose notes |
13 | 39 | Untitled fragments and loose notes (circa 1980-83) |
13 | 40 | Typescript and holograph lists of poems for readings |
13 | 41 | "The Winnebago Trickster Cycle," photocopy of source material for "The More a Man Has . . ." |
Meeting the British (1987) | ||
13 | 42 | "Christo," multiple typescript drafts |
13 | 43 | "The Fox," single corrected typescript |
13 | 44 | "Poplars," multiple typescript drafts |
13 | 45 | "Profumo," multiple typescript drafts |
13 | 46 | "7, Middagh Street: Wystan," multiple typescript drafts with holograph notes |
13 | 47 | "7, Middagh Street: Gypsy," multiple typescript drafts |
14 | 1 | "7, Middagh Street: Ben," multiple typescript drafts with holograph notes |
- | - | "7, Middagh Street: Chester" [See "Other Women"] |
14 | 2 | "7, Middagh Street: Salvador,"multiple typescript drafts |
14 | 3 | "7, Middagh Street: Carson," multiple typescript drafts with holograph notes |
14 | 4 | "7, Middagh Street: Louis," multiple typescript drafts with holograph notes |
14 | 5 | "7, Middagh Street," sources and secondary materials |
14 | 6 | Miscellaneous notes and fragments, including some fragments of poems from Meeting the British |
14 | 7 | "The Toe-Tag," single corrected typescript |
14 | 8 | Untitled fragment toward "7, Middagh Street," corrected typescript [begins "A windswept gallery . . ."] |
14 | 9 | Meeting the British, photocopied cover art for Wake Forest edition |
14 | 10 | Meeting the British, corrected typescripts of Table of Contents and Acknowledgements |
14 | 11 | Meeting the British, complete typescript with holograph corrections and notes re: publication of individual poems |
14 | 12 | Meeting the British, photocopies of page proofs for Faber and Faber edition |
Miscellaneous Poems, circa 1983-1986 | ||
14 | 13 | "Anthrax," multiple typescript drafts |
14 | 14 | "As for the Quince" [translation from Nuala Ní Dhomhnaill], single typescript |
14 | 15 | "The Barn Dance," single corrected typescript |
14 | 16 | "Bears," single typescript |
14 | 17 | "Bloom Sunday," single typescript [See also Mules] |
14 | 18 | "Blow by Blow," single typescript with "Ducan!" written at top |
14 | 19 | "The Brownlows," single typescript |
14 | 20 | "Caprice des Dieux," single typescript |
14 | 21 | "Cuckoo Comes," single typescript with holograph note re: title |
14 | 22 | "The Drowned Blackbird" translated from Seamus Dall Mac Cuarta, with letter from Robert Johnstone, 9 October 1984 [See also Subseries 2.3, Translations] |
14 | 23 | "Emily," multiple typescript drafts |
14 | 24 | "Excitable Boy," single typescript |
14 | 25 | "Failure," single typescript with holograph note |
14 | 26 | "Fugue," single typescript |
14 | 27 | "Gold," multiple typescript drafts |
14 | 28 | "The Hoodlum Priest," single typescript with minimal correction |
14 | 29 | "Literally," single corrected typescript |
14 | 30 | "Living at This Hour," typescript and holograph drafts with title page |
14 | 31 | "Liz," single typescript |
14 | 32 | "The Main Mast," single typescript |
14 | 33 | "Other Women," multiple typescript drafts |
14 | 34 | "The Ox," single typescript with holograph note |
14 | 35 | "Pandas," single typescript |
14 | 36 | "Paul Klee: They're Biting," photocopy of poem with note re: line break |
14 | 37 | "Precautions" [translated from Martin Sorescu], single typescript [See also Subseries 2.3, Translations] |
14 | 38 | "The Raisin," single typescript |
14 | 39 | "The Right Arm," single corrected typescript |
14 | 40 | "Snogging," holograph draft with typescript title page |
14 | 41 | "Sylvia," single typescript |
14 | 42 | "Tibet," single typescript |
14 | 43 | "Tiffin with Borges," single typescript |
14 | 44 | "Toxophilus," single corrected typescript |
14 | 45 | "Under Saturn," single typescript |
14 | 46 | "Wolves," multiple typescript drafts |
14 | 47 | "The Yard," single corrected typescript with letter from Alan Jenkins, Times Literary Supplement |
14 | 48 | "Yellow Ragwort," single typescript |
14 | 49 | Manuscript and typescript fragments |
14 | 50 | Notes on napkins |
14 | 51 | Multiple holograph notes re: reading sets |
Selected Poems 1968-1983 (1986) | ||
14 | 52 | Selected Poems, 1968-1986; camera copy for 1993 Farrar, Straus, and Giroux edition of Ecco edition, with TLS from Paul Elie, 6 December 1993 |
Madoc: A Mystery (1990) | ||
15 | 1 | Acknowledgements, multiple typescript drafts |
15 | 2 | "Abelard," multiple typescript drafts with holograph notes |
15 | 3 | "Adorno," multiple typescript drafts with holograph notes |
15 | 4 | "Aenesidemus," multiple typescript drafts |
15 | 5 | "Anaxagoras," multiple typescript drafts |
15 | 6 | "Anaximander," uncorrected typescript |
15 | 7 | "Anselm," single typescript with holograph corrections |
15 | 8 | "Antisthenes," typescript with holograph notes |
15 | 9 | "Aquinas," single corrected typescript |
15 | 10 | "Arendt," multiple typescript drafts with holograph notes |
15 | 11 | "Arnauld," multiple typescript drafts |
15 | 12 | "Ascham," multiple typescript drafts |
15 | 13 | "Asra," single uncorrected typescript |
15 | 14 | "Austin," multiple typescript drafts with holograph notes |
15 | 15 | "Ayer," holograph notes |
15 | 16 | "Bachelard," multiple typescript drafts with holograph notes |
15 | 17 | "Bacon," multiple typescript drafts |
15 | 18 | "Baird," multiple typescript drafts |
15 | 19 | "Bakhtin," multiple typescript drafts |
15 | 20 | "Barnet," multiple typescript drafts |
15 | 21 | "Barthes," multiple typescript drafts with holograph notes |
15 | 22 | "Bayle," multiple typescript drafts with holograph notes |
15 | 23 | "Bell," multiple typescript drafts with holograph notes |
15 | 24 | "Benedict," multiple typescript drafts with holograph notes |
15 | 25 | "Benjamin," multiple typescript drafts with holograph notes |
15 | 26 | "Bentham," multiple typescript drafts with holograph notes |
15 | 27 | "Bergson," multiple typescript drafts with holograph notes |
15 | 28 | "Boehme," multiple typescript drafts with holograph notes |
15 | 29 | "Boethius," multiple typescript drafts |
15 | 30 | "Bohr," multiple typescript drafts with holograph notes |
15 | 31 | "Boole," multiple typescript drafts with holograph notes |
15 | 32 | "Boyle," corrected typescript |
15 | 33 | "Bradley," holograph notes |
15 | 34 | "Brahe," holograph notes |
15 | 35 | "Brant," multiple typescript drafts with holograph notes |
15 | 36 | "The Briefcase" [variant title "My Holdall,"multiple typescript drafts |
15 | 37 | "Brentano," holograph notes |
15 | 38 | "Bruno," multiple typescript drafts with holograph notes |
15 | 39 | "Buridan," multiple typescript drafts |
15 | 40 | "Burke," multiple typescript drafts with holograph notes |
15 | 41 | "Burnet," multiple typescript drafts with holograph notes |
15 | 42 | "Butler," multiple typescript drafts |
15 | 43 | "Byron," uncorrected typescript |
15 | 44 | "Calvin," corrected typescript with holograph notes |
15 | 45 | "Campanella," corrected typescript |
15 | 46 | "Camus," multiple typescript drafts with holograph notes |
15 | 47 | "Cantor," multiple typescript drafts with holograph notes |
15 | 48 | "Capercailles," multiple typescript drafts |
15 | 49 | "Carnap," multiple typescript drafts with holograph notes |
15 | 50 | "Cauliflowers," single typescript with holograph corrections |
15 | 51 | "Chomsky," multiple typescript drafts with holograph notes |
15 | 52 | "Clarke," multiple typescript drafts with holograph notes |
15 | 53 | "Coleridge," multiple typescript drafts |
15 | 54 | "Collingwood," multiple typescript drafts with holograph notes |
15 | 55 | "Comte," multiple typescript drafts and holograph notes [See also "Newman"] |
15 | 56 | "Cooper," typescript with holograph notes |
15 | 57 | "Copernicus," multiple typescript drafts with holograph notes |
15 | 58 | "Croce," multiple typescript drafts |
15 | 59 | "Darwin," multiple typescript drafts and holograph notes |
15 | 60 | "Dee," single corrected typescript |
15 | 61 | "Democritus," corrected typescript |
15 | 62 | "Derrida," multiple typescript drafts with holograph notes |
15 | 63 | "Descartes," multiple typescript drafts with holograph notes |
15 | 64 | "Dewey," multiple typescript drafts |
15 | 65 | "Dionysius," multiple typescript drafts |
15 | 66 | "Duns Scotus," single corrected typescript |
16 | 1 | "Edison," multiple typescript drafts with holograph notes |
16 | 2 | "Einstein," multiple typescript drafts with holograph notes |
16 | 3 | "Emerson," holograph notes |
16 | 4 | "Epictetus," corrected typescript and holograph note |
16 | 5 | "Erasmus," corrected typescript with holograph notes |
16 | 6 | "Euclid," corrected typescript |
16 | 7 | "Feuerbach," multiple typescript drafts |
16 | 8 | "Fibonacci," uncorrected typescript |
16 | 9 | "Fichte," multiple typescript drafts |
16 | 10 | "Foucault," multiple typescript drafts with holograph notes |
16 | 11 | "Franklin," multiple typescript drafts with holograph notes |
16 | 12 | "Frederick the Great," multiple typescript drafts with holograph notes |
16 | 13 | "Frege," typescript draft with holograph notes |
16 | 14 | "Gadamer," single typescript draft with holograph notes |
16 | 15 | "Galen," multiple typescript drafts with holograph notes |
16 | 16 | "Gass," multiple typescript drafts with holograph notes |
16 | 17 | "Gauss," multiple typescript drafts with holograph notes |
16 | 18 | "Godwin," multiple typescript drafts with holograph notes |
16 | 19 | "Goodman," single uncorrected typescript |
16 | 20 | "Gramsci," multiple typescript drafts with holograph notes |
16 | 21 | "Habermas," multiple typescript drafts |
16 | 22 | "Hakluyt," multiple typescript drafts |
16 | 23 | "Hamilton," multiple typescript drafts with holograph notes |
16 | 24 | "Harman," multiple typescript drafts |
16 | 25 | "Hartley," single corrected typescript |
16 | 26 | "Hartmann," multiple typescript draft with holograph notes |
16 | 27 | "Harvey," multiple typescript drafts |
16 | 28 | "Hawking," multiple typescript drafts with holograph notes |
16 | 29 | "Hegel" [variant title "Rousseau"], multiple typescript drafts |
16 | 30 | "Heidegger," multiple typescript drafts with holograph notes |
16 | 31 | "Heraclitus," multiple typescript drafts |
16 | 32 | "Herbart," multiple typescript drafts with holograph notes |
16 | 33 | "Herrigel," holograph notes |
16 | 34 | "Hobbes," multiple typescript drafts |
16 | 35 | "Hook," multiple typescript drafts with holograph notes |
16 | 36 | "Hooke," typescript draft with holograph notes |
16 | 37 | "Hume," multiple typescript drafts |
16 | 38 | "Husserl," typescript draft |
16 | 39 | "Huxley," multiple typescript drafts and holograph notes |
16 | 40 | "James," single corrected typescript with holograph notes |
16 | 41 | "Jung," multiple typescript drafts with holograph notes |
16 | 42 | "Kant," typescript draft with holograph notes |
16 | 43 | "Kelvin," multiple typescript drafts with holograph notes |
16 | 44 | "Kepler," multiple typescript drafts with holograph notes |
16 | 45 | "Keynes," multiple typescript drafts with holograph notes |
16 | 46 | "Kierkegaard," multiple typescript drafts with holograph notes |
16 | 47 | "Kristeva," single uncorrected typescript |
16 | 48 | "Lacan," multiple typescript drafts with holograph notes |
16 | 49 | "Leibniz," multiple typescript drafts |
16 | 50 | "Levi-Strauss," multiple typescript drafts with holograph notes |
16 | 51 | "Lewis," multiple typescript drafts with holograph notes |
16 | 52 | "Locke," multiple typescript drafts |
16 | 53 | "Lovejoy," multiple typescript drafts |
16 | 54 | "Luther," multiple typescript drafts |
17 | 1 | "Mach," multiple typescript drafts with holograph notes |
17 | 2 | "Machiavelli," corrected typescript |
17 | 3 | "Maimon," multiple typescript drafts |
17 | 4 | "Maimonedes," corrected typescript |
17 | 5 | "Malebranche," multiple typescript drafts |
17 | 6 | "Malthus," multiple typescript drafts |
17 | 7 | "Mandeville," multiple typescript drafts with holograph notes |
17 | 8 | "Marconi," uncorrected typescript with holograph notes |
17 | 9 | "Marcuse," holograph notes |
17 | 10 | "Marx," multiple typescript drafts with holograph notes |
17 | 11 | "Maxwell," multiple typescript drafts with holograph notes |
17 | 12 | "McTaggart," typescript draft with holograph notes |
17 | 13 | "Meinong," multiple typescript drafts |
17 | 14 | "Merleau-Ponty," multiple typescript drafts with holograph notes |
17 | 15 | "Mill," multiple typescript drafts with holograph notes |
17 | 16 | "Moore," multiple typescript drafts |
17 | 17 | "More," multiple typescript drafts |
17 | 18 | "Neurath," multiple typescript drafts with holograph notes |
17 | 19 | "Newman," multiple typescript drafts, including fragment from "Comte" |
7 | 20 | "Newton," multiple typescript drafts |
17 | 21 | "Nietzsche," multiple typescript drafts |
17 | 22 | "Nozick," typescript draft with holograph notes |
17 | 23 | "Occam," multiple typescript drafts with holograph notes |
17 | 24 | "Origen," multiple typescript drafts with holograph notes |
17 | 25 | "Ortega," multiple typescript drafts with holograph notes |
17 | 26 | "Paine," uncorrected typescript |
17 | 27 | "The Panther," multiple typescript drafts |
17 | 28 | "Paracelsus," holograph notes |
17 | 29 | "Pascal," multiple typescript drafts with holograph notes |
17 | 30 | "Pasteur," multiple typescript drafts with holograph notes |
17 | 31 | "Peirce," multiple typescript drafts with holograph notes |
17 | 32 | "Plotinus," corrected typescript |
17 | 33 | "Popper," multiple typescript drafts with holograph notes |
17 | 34 | "Priestley," multiple typescript drafts |
17 | 35 | "Proclus," multiple typescript drafts with holograph notes |
17 | 36 | "Protagoras," multiple typescript drafts |
17 | 37 | "Pseudo-Dionysius," multiple typescript drafts |
17 | 38 | "Putnam," multiple typescript drafts with holograph notes |
17 | 39 | "Pyrrho," multiple typescript drafts and holograph notes |
17 | 40 | "Pythagoras," typescript draft |
18 | 1 | "Quine," typescript draft with holograph notes |
18 | 2 | "Reid," multiple typescript drafts with holograph notes |
18 | 3 | "Ricoeur," uncorrected typescript with holograph notes |
18 | 4 | "Royce," multiple typescript drafts with holograph notes |
18 | 5 | "Russell," multiple typescript drafts |
18 | 6 | "Rutherford," multiple typescript drafts |
18 | 7 | "Ryle," multiple typescript drafts with holograph notes |
18 | 8 | "Santayana," single uncorrected typescript |
18 | 9 | "Sartre," multiple typescript drafts with holograph notes |
18 | 10 | "Saussure," multiple typescript drafts with holograph notes |
18 | 11 | "Scaliger," multiple typescript drafts with holograph notes |
18 | 12 | "Schiller," multiple typescript drafts |
18 | 13 | "Schlick," multiple typescript drafts with holograph notes |
18 | 14 | "Schopenhauer," multiple typescript drafts with holo notes |
18 | 15 | "Seneca," multiple typescript drafts |
18 | 16 | "Smith," typescript draft with holograph notes |
18 | 17 | "Socrates," corrected typescript |
18 | 18 | "Sorel," multiple typescript drafts |
18 | 19 | "Southey," multiple typescript drafts |
18 | 20 | "Spencer," multiple typescript drafts with holograph notes |
18 | 21 | "Spinoza," single corrected typescript with holograph notes |
18 | 22 | "Strawson," multiple typescript drafts with holograph notes |
18 | 23 | "Tarski," multiple typescript drafts with holograph notes |
18 | 24 | "Tea," multiple corrected typescripts with holograph notes |
18 | 25 | "Thales," single corrected typescript |
18 | 26 | "Thoreau," holograph notes |
18 | 27 | "Toland," multiple typescript drafts with holograph notes |
18 | 28 | "Unamuno," multiple typescript drafts |
18 | 29 | "Voltaire," multiple typescript drafts |
18 | 30 | "Watt," multiple typescript drafts with holograph notes |
18 | 31 | "Whitehead," multiple typescript drafts |
18 | 32 | "Wittgenstein," typescript draft with holograph notes |
18 | 33 | "Wollstonecraft," typescript draft |
18 | 34 | "Wycliffe," corrected typescript |
18 | 35 | "Zeno," corrected typescript |
19 | 1 | Madoc, partial typescript Title Page through "Leibniz," circa 34 pages |
19 | 2 | Madoc, partial early manuscript (all holograph notes) "Butler" to Hawking," circa 51 pages |
19 | 3 | Madoc, partial typescript "Thales" to "Huxley," circa 80 pages |
19 | 4 | Madoc, partial typescript "Thales" to "Bohr," circa 83 pages |
19 | 5 | Madoc, partial typescript circa 105 pages (original grouping preserved) |
19 | 6 | Madoc, partial typescript circa 109 pages (original grouping preserved) |
19 | 7 | Madoc, partial manuscript, holograph and typescript drafts circa 198 pages (original grouping preserved) |
20 | 1 | Madoc, unidentified typescript and holograph drafts |
20 | 2 | Madoc, unidentified typescript and holograph drafts |
20 | 3 | Madoc, unidentified holograph notes |
20 | 4 | Madoc, unidentified holograph notes, found between "Cauliflowers" and "Adorno" typescripts |
20 | 5 | Madoc, unidentified holograph notes, original grouping preserved |
20 | 6 | Madoc, unidentified holograph notes with several typescript drafts |
20 | 7 | Madoc, early title and contents pages with two typescript drafts of "Acknowledgements" |
20 | 8 | Madoc, rough holograph outlines |
20 | 9 | Madoc, holograph progress report/checklist (July 20, 1989 and August 28, 1989) |
20 | 10 | Madoc, research photocopies |
20 | 11 | Madoc, late manuscript draft with pages left blank, circa 158 pages |
20 | 12 | Madoc, final manuscript |
20 | 13 | Madoc, page proofs [See also Miscellaneous Poems, circa 1986-1996] |
OP1 | 2 | Madoc book covers |
Incantata (1994) | ||
21 | 1 | "Incantata," single corrected typescript page |
21 | 2 | "Incantata," corrected typescript |
21 | 3 | "Incantata," page proofs with cover letter and envelope from Graphic Studio Dublin |
OP3 | - | Art/ promotional posters for "Incantata": 3 posters of "Incantata" painting, four posters of painting with announcement/ brief profile of Mary Farl Powers as ArtsLink Artist of the Month, October 1995 [See also Annals of Chile for Mary Farl Powers painting] |
The Prince of the Quotidian (1994) | ||
21 | 4 | The Prince of the Quotidian, selected poems from final section, not included in published volume [includes ["Footling"] and ["The Birth"] which appear in Annals of Chile] |
21 | 5 | The Prince of the Quotidian, corrected typescript draft [includes poems that do not appear in the published volume] |
21 | 6 | The Prince of the Quotidian, photocopy of full typescript in plastic binder |
21 | 7 | The Prince of the Quotidian, corrected galley with cover letter from Peter Fallon |
21 | 8 | The Prince of the Quotidian, uncorrected typescript of epigraph |
21 | 9 | "Tract," and ["The results of the amniocentesis"], not in published volume, typescript drafts found with The Prince of the Quotidian drafts |
21 | 10 | "Tract," not in published volume, multiple corrected typescripts found with The Prince of the Quotidian drafts |
The Annals of Chile (1994) | ||
21 | 11 | "Ovid: Metamorphoses," uncorrected typescript with corrected page proof |
21 | 12 | "Brazil," multiple typescript drafts with envelope |
21 | 13 | "Oscar," multiple typescript drafts with uncorrected page proof |
21 | 14 | "Milkweed and Monarch," multiple typescript drafts |
21 | 15 | "Twice," multiple typescript drafts |
- | - | "Incantata" [See Incantata] |
21 | 16 | "The Sonogram," proof of Dorothy Aoife Korelitz Muldoon birth announcement with poem on front [See also The Prince of the Quotidian] |
21 | 17 | "Footling," multiple uncorrected typescripts [See also The Prince of the Quotidian] |
- | - | "The Birth" [See The Prince of the Quotidian] |
21 | 18 | "Cows," multiple typescript drafts and holograph notes |
21 | 19 | "Cows" and "Milkweed and Murdoch," corrected typescript drafts, with title page |
21 | 20 | "Yarrow" fragment with roman numeral pages X, XI, and XII |
21 | 21 | "Yarrow," single uncorrected typescript page |
21 | 22 | "Yarrow," multiple typescript drafts |
21 | 23 | "Yarrow," multiple numbered typescript drafts, heavily corrected |
21 | 24 | "Yarrow," long typescript fragment, uncorrected |
22 | 1 | "Yarrow," corrected typescript fragment, dated August 1992--August 1993 |
22 | 2 | "Yarrow," lightly corrected typescript fragment with handwritten page numbers |
22 | 3 | "Yarrow," single uncorrected typescript page |
22 | 4 | "Yarrow," lightly corrected typescript fragment |
22 | 5 | "Yarrow," typescript fragment with minimal corrections |
22 | 6 | "Yarrow," multiple pages of holograph notes with some corrected typescript fragments |
22 | 7 | The Annals of Chile corrected typescript fragments with holograph notes |
22 | 8 | The Annals of Chile, typescript fragment with some holograph corrections |
22 | 9 | The Annals of Chile, complete early typescript, part one of two (all but "Yarrow") |
22 | 10 | The Annals of Chile, complete early typescript, part two of two ("Yarrow") |
22 | 11 | The Annals of Chile, typescript and holograph graphs in plastic binder |
22 | 12 | The Annals of Chile, "Early Version" 207 page typescript in yellow binder |
22 | 13 | The Annals of Chile, page proofs |
OP7 | - | Multiple original signed paintings by Muldoon (eventually used as cover art for The Annals of Chile), with signed print of Mary Farl Powers painting "Desert Landscape" (#4 of 45) |
Kerry Slides (1996) | ||
66 | 1 | "Bhí an seisear", Irish language poem with corrections by Nuala Ní Dhomhnaill, December 16, 1996 |
66 | 2 | "The Fridge," typescripts and notes |
23 | 1 | Kerry Slides, lightly corrected typescript |
23 | 2 | Kerry Slides, holograph and typescript drafts in black binder with single loose corrected typescript page |
66 | 3 | Kerry Slides, typescripts |
Hopewell Haiku (1997) | ||
66 | 4 | "Fresh Snow on the Roof," prints with corrections, November 17, 1995 |
66 | 5 | "The Hopewell Haikus," typescripts, circa 1995 |
66 | 6 | "Hopewell Haiku," early page proof, 1996 |
23 | 3 | "Hopewell Haiku," single uncorrected typescript |
66 | 7 | "Hopewell Haiku," complete typescript |
66 | 8 | "Hopewell Haiku," complete typescript with corrections in C.K. Williams's hand (?) |
66 | 9 | "Hopewell Haiku," typescript fragments |
66 | 10 | Notes |
Wow and Flutter | ||
23 | 4 | Wow and Flutter, multiple holograph and typescript drafts with holograph notes |
23 | 5 | Wow and Flutter, uncorrected partial typescript |
23 | 6 | Wow and Flutter, uncorrected typescript |
Miscellaneous Poems, circa 1986-1996 | ||
23 | 7 | "American Express," 2 page holograph draft |
23 | 8 | "The Book of Proverbs," single corrected typescript |
23 | 9 | "Burma," multiple typescript drafts, one corrected [appears in the collection, Hay] |
23 | 10 | "Cauliflowers," multiple typescript drafts |
23 | 11 | "A Clear Signal," multiple typescript drafts, to the attention of Mitchel Levitas, Op Ed Page (New York Times?) in response to gay/lesbian controversy surrounding St. Patrick's Day Parade |
23 | 12 | "Flash," single uncorrected typescript |
23 | 13 | "Flourish," multiple typescript drafts |
23 | 14 | "The Good Room," multiple typescript drafts |
23 | 15 | "Home," multiple typescript drafts (circa 35 pages) |
23 | 16 | "In the All Together," single uncorrected typescript |
23 | 17 | "In the Buff" [variant title "Nude"], multiple typescript drafts |
23 | 18 | ["In a world where . . ."], single typescript draft on notepaper, extensive corrections |
23 | 19 | "The Linguist," single corrected typescript |
23 | 20 | "Martyrdom of Saint Erasmus," single uncorrected typescript |
23 | 21 | "A Mobile," multiple uncorrected typescripts |
23 | 22 | "Mustard," single corrected typescript |
23 | 23 | "The Nest," multiple typescript drafts |
23 | 24 | "The Orchard," multiple typescript drafts |
23 | 25 | "Paunch," single corrected typescript |
23 | 26 | "The Point," multiple typescript drafts |
23 | 27 | "Poplars," multiple typescript drafts |
23 | 28 | "The Roan and the Gray," multiple typescript drafts |
23 | 29 | Seven Animal Poems, xerox packet of "Dancers at the Moy," "Hedgehog," "Mules," "Bran," "The Fox," "Brock," and "The Frog" |
23 | 30 | Seven Poems of Childhood, xerox packet of "Duffy's Circus," "Ned Skinner," "Trance," "Bran," "Profumo," "The Weepies," and "Anseo" |
23 | 31 | "The Shovel," multiple typescript drafts |
23 | 32 | "Symposium," faxed New Yorker page proof September 1995 |
23 | 33 | "Tapir," single uncorrected typescript |
23 | 34 | "Tennyson Triptych," single uncorrected typescript |
23 | 35 | "Testimony," multiple typescript drafts |
23 | 36 | ["These silver serving spoons. . . "], single uncorrected typescript |
23 | 37 | "Three Chairs," single uncorrected typescript |
23 | 38 | "Three Deer, Mount Rose, August 1995," multiple typescript drafts |
23 | 39 | ["The train takes so long . . ."], single holograph draft |
23 | 40 | "Two Chairs," single uncorrected typescript |
23 | 41 | "The Unfaithful Wife," single corrected typescript (2 pages) |
23 | 42 | "White Shoulders," multiple typescript drafts |
23 | 43 | "William De Kooning: Clam Diggers," multiple typescript drafts |
23 | 44 | Notebook with 17 pages holograph notes and drafts, 3 brochures ["Houmas House Plantation," "San Francisco Plantation House," and "The New Orelans Historic Voodoo Museum"], and one page holograph notes folded in, from New Orleans trip (circa 1995?) |
23 | 45 | Unidentified fragments and notes, including color copy of The Shower, painting from the Phillips Collection |
New Selected Poems, 1968-1994 (1996) | ||
66 | 11 | Photocopy of proofs, 1996 |
Hay (1998) | ||
66 | 12 | "Aftermath," typescripts |
66 | 13 | "Apple Slump," typescripts |
66 | 14 | "The Bangle," typescripts and notes |
66 | 15 | "The Bangle (Slight Return)," typescript fragments |
66 | 16 | "The Bangle (Slight Return)," typescript and notes |
66 | 17 | "The Bangle (Slight Return)," proofs, 1998 |
66 | 18 | "Blissom," typescript fragments |
66 | 19 | "Dire Straits," manuscript fragment |
66 | 20 | "Errata," typescripts and notes |
66 | 21 | "A Half-Door in Cluny, Christmas 1997," typescripts |
- | - | "Hopewell Haiku" [See Hopewell Haiku] |
66 | 22 | "Horses," manuscript and typescripts |
66 | 23 | "A Journey to Cracow," typescripts |
66 | 24 | "Lag," typescript |
66 | 25 | "The Little Black Book," typescripts |
67 | 1 | "Lloyd Cole and the Commotions: Easy Pieces," typescript |
67 | 2 | "Longbones," typescripts |
67 | 3 | "Long Finish," typescripts |
67 | 4 | "The Mud Room," typescripts |
67 | 5 | "The Mud Room," proofs |
67 | 6 | "Now, Now," typescript fragments and page proof |
67 | 7 | "Paul Simon: Negotiations and Love Songs," typescript |
67 | 8 | "The Plot," typescripts |
67 | 9 | "Rainer Maria Rilke: Black Cat," typescripts |
67 | 10 | "Rune," typescripts |
67 | 11 | "Sleeve Notes," typescripts, notes, and page proof |
67 | 12 | "Symposium," typescript |
67 | 13 | "They That Wash on Thursday," typescripts and notes |
67 | 14 | "Third Epistle to Timothy," typescripts |
67 | 15 | "Third Epistle to Timothy," page proofs |
67 | 16 | "White," typescripts |
67 | 17 | "Wire," typescripts and notes |
67 | 18 | Hay, acknowledgements and Table of Contents, typescripts and notes |
67 | 19 | Hay, arrangement of various poems, numbered typescript |
67 | 20 | Hay, complete typescript |
67 | 21 | Hay, proofs, April 29, 1998 |
OP25 | 3 | Hay, proofs, undated |
67 | 22 | Notes for unidentified poems |
Poems 1968-1998 (2001) | ||
68 | 1 | Author's Note, typescripts, 2000-2001 |
68 | 2 | Proofs with editor's corrections [1 of 3] |
68 | 3 | Proofs with editor's corrections [2 of 3] |
68 | 4 | Proofs with editor's corrections [3 of 3] |
68 | 5 | Proofs, first pass, November 15, 2000 [1 of 3] |
68 | 6 | Proofs, first pass, November 15, 2000 [2 of 3] |
68 | 7 | Proofs, first pass, November 15, 2000 [3 of 3] |
69 | 1 | Proofs, December 13, 2000 [1 of 3] |
69 | 2 | Proofs, December 13, 2000 [2 of 3] |
69 | 3 | Proofs, December 13, 2000 [3 of 3] |
69 | 4 | Proofs, final pass, January 18, 2001 [1 of 3] |
69 | 5 | Proofs, final pass, January 18, 2001 [2 of 3] |
69 | 6 | Proofs, final pass, January 18, 2001 [3 of 3] |
Moy Sand and Gravel (2002) | ||
70 | 1 | "Affairs of State," typescript fragments |
70 | 2 | "The Ancestor," typescripts |
70 | 3 | "As," typescripts |
70 | 4 | "As," proof, February 9, 1999 |
70 | 5 | "At the Sign of the Black Horse, September 1999," typescripts and notes |
70 | 6 | "Beagles," typescripts |
70 | 7 | "The Braggart," typescript |
70 | 8 | "The Breather," typescripts |
70 | 9 | "A Brief Discourse on Decommission," manuscript |
70 | 10 | "Caedmon's Hymn," drafts |
70 | 11 | "Caedmon's Hymn," version for Notre Dame Review, proof |
70 | 12 | "A Collegelands Catechism," typescripts and page proof |
70 | 13 | "A Collegelands Catechism," Cultural Society Miniside No. 6, 2002 |
70 | 14 | "Cradle Song for Asher," typescripts [See also "The Old Pit Pony"] |
70 | 15 | "Eugenio Montale: The Eel," typescripts |
70 | 16 | "The Goose," typescripts |
70 | 17 | "The Grand Conversation," manuscript, typescripts, and annotations |
70 | 18 | "Hard Drive," typescript and notes |
70 | 19 | "Herm," typescripts |
70 | 20 | "Horace: Two Odes," typescripts |
70 | 21 | "John Luke: The Fox," typescripts |
70 | 22 | "John Luke: The Fox," page proof, June 21, 2000 |
70 | 23 | "The Killdeer," typescript |
70 | 24 | "The Loaf," typescripts and notes |
70 | 25 | "The Misfits," typescript |
70 | 26 | "Moy Sand and Gravel," typescripts and notes |
70 | 27 | "News Headlines from Homer Noble Farm," drafts |
70 | 28 | "The Old Pit Pony," typescripts [See also "Cradle Song for Asher"] |
70 | 29 | "On," typescripts and notes |
70 | 30 | "One Last Draw of the Pipe," typescript |
70 | 31 | "The Outhouse," typescripts |
70 | 32 | "Paul Valery: Pomegranates," typescripts |
70 | 33 | "Pineapples and Pomegranates," typescript |
70 | 34 | "Redknots," typescript |
70 | 35 | "The Stoic," typescripts and notes |
70 | 36 | "Summer Coal," typescripts |
70 | 37 | "Tell," typescript |
70 | 38 | "The Turn," typescript |
70 | 39 | "Two Stabs at Oscar", typescripts [See also "The Gate" and "The Bed"] |
70 | 40 | "Unapproved Road," typescripts |
70 | 41 | "When Aifric and I Put in at That Little Creek," typescripts |
70 | 42 | "The Whinny," typescripts |
70 | 43 | "Whitehorns," typescripts |
70 | 44 | "Winter Wheat," page proof, August 2001 |
71 | 1 | Moy Sand and Gravel, complete typescript |
71 | 2 | Moy Sand and Gravel, notes to unidentified poems |
71 | 3 | Moy Sand and Gravel, proofs, February 19, 2002 |
71 | 4 | Moy Sand and Gravel, proofs, April 19, 2002 |
71 | 5 | Moy Sand and Gravel, proofs, "first pass," April 19, 2002 |
71 | 6 | Moy Sand and Gravel, proofs, "final pass," June 4, 2002 |
71 | 7 | Moy Sand and Gravel, proofs, master pages, June 7, 2002 |
72 | 1 | Moy Sand and Gravel proofs, "second pass," June 7, 2002 |
OP25 | 1 | Moy Sand and Gravel, final proofs |
72 | 2 | Moy Sand and Gravel, proofs, table of contents, August 20, 2002 |
Horse Latitudes (2006) | ||
72 | 3 | "At Least They Weren't Speaking French," typescripts |
72 | 4 | "Bob Dylan at Princeton, November 2000," typescripts |
72 | 5 | "The Coyote," typescripts |
72 | 6 | "Glaucus," typescripts |
72 | 7 | "Horse Latitudes," typescripts and notes |
72 | 8 | "It Is What It Is," typescripts |
72 | 9 | "The Landing," typescripts |
72 | 10 | "The Last Time I Saw Chris," typescripts |
72 | 11 | "Medley for Morin Khur," typescripts |
72 | 12 | "Mouth Music," typescripts (not included in final collection) |
72 | 13 | "Now Pitching Himself Like a Forlorn Hope," typescripts |
72 | 14 | "The Old Country," typescripts |
72 | 15 | "Once I Looked into Your Eyes," typescripts and research material |
72 | 16 | "The Procedure," typescript |
72 | 17 | "Riddle," typescripts and notes |
72 | 18 | "Sillyhow Stride: In Memory of Warren Zevon," typescripts and notes |
72 | 19 | "Starlings, Broad Street, Trenton, 2003," typescripts and notes |
72 | 20 | "Tithonus," typescripts |
72 | 21 | "The Treaty," typescripts |
72 | 22 | "Twenty Memoranda to Tom Moore" [published as "90 Instant Messages to Tom Moore"], typescripts and notes |
72 | 23 | Horse Latitudes, contents and acknowledgements, typescript |
72 | 24 | Horse Latitudes, notes to unidentified poems |
115 | Horse Latitudes, manuscript, proof, reviews and correspondence | |
General Admission (2006) | ||
115 | General Admission, proofs and correspondence | |
Occasional poetry, circa 1996-2003 | ||
72 | 25 | "All the Way," typescripts and notes |
72 | 26 | Creweian Oration 2001, Oxford University, typescripts |
72 | 27 | Creweian Oration 2003, "The Oxford Blues," Oxford University, typescripts |
72 | 28 | "The Gate" and "The Bed," for Oscar Wilde Commission commemoration, circa 1998 [See also "Two Stabs at Oscar"] |
72 | 29 | "An Horatian Ode," on the retirement of Harold Shapiro from the Presidency of Princeton University, typescripts |
72 | 30 | "The House of Poetry," celebration of the first Dodge Poetry Festival held at Duke Farms, typescripts |
72 | 31 | "Leadheads and Icebergs," for Rita Duffy "Contemplating an Iceberg" Exhibition, circa November 2003 |
72 | 32 | "Lines for Robert Smith on His Fortieth Birthday," typescript and notes |
72 | 33 | "Lines on Raising the Curtain of the Roger. S. Berlind Theatre," for Berlind Theatre opening at Princeton University, 2003 |
73 | 1 | "Taking the Air with James McCash, Prospect Gardens, February 1996," 250th Anniversary of Princeton University |
73 | 2 | "To the Treshing Floor," celebration of Times Literary Supplement centenary, circa 2002 |
73 | 3 | "The Tower," typescript, circa April 2000 |
Uncollected poetry, circa 1995-2000 | ||
73 | 4 | "Aftermath," page proof, September 3, 1997 |
73 | 5 | "American Standard," typescript |
113 | "Art and Society," undated | |
73 | 6 | "A Ghazal for Seamus Heaney," typescripts, circa 1996 |
113 | "Three Songs from Ben Gunn," undated | |
73 | 7 | "Hinge: for Michael Longley," typescripts |
73 | 8 | "Telegraph for Seamus Heaney," typescripts, circa 1995 |
73 | 9 | "The Throwback," page proof, August 4, 1995 |
73 | 10 | "A View of Oxford," typescripts and notes [See also "Hopewell Haiku"] |
73 | 11 | Unidentified collection, table of contents, typescripts |
73 | 12 | Unidentified notes |
73 | 13 | Unidentified typescript fragment |