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Collection Stored Off-Site

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Subseries 3.6
Works edited by Simmons
Box 52: folder 6

Box Folder Content
52 6 The Honest Ulsterman, Number 1, May 1968; materials for first issue [includes: first issue of The Honest Ulsterman, typescripts of works included, Stevie Smith's "A Soldier Dear to Us," Brenden Kennelly's "The Stones," and "A Man in Yellow Oilskin," John D. Stewart's, "Let Us Be Human," John Hewitt's "From the Tibetan," Derek Mahon's "A Dying Art," and "Ecclesiastes," John Hearsum's "The Running of Things," W. Price Turner's "Full Supporting Programme," Michael Stephens's "Interview with Roger McGough," and "Drugs V. Drink," Peter Lewis's "A Tale of a Turd," Mary O' Malley's "Irish Theatre Letter," W. Price Turner's "Procrastination," and James Simmons's "Johnny My Gigolo" as well as MSS and TSS of works submitted but not used in the first issue, including Micheal Brophy's "Dance Little Man," "Death in the Glen," and "Flowers," Daniel Burleigh's "Bird," John Cassidy's "Love Seen," Stanley Cromie's "Philby," and "Specialization," Raymond Ellis's "Elegy on the Death of Martin Luther King," and "Yet Another Odyssey," Gavin Ewart's "Broadstairs," "The Dickens Wife," "The Seven Stages," and "A Vision," Padriac Fiacc's "Morning Dark," and "Vengenance," Micheal Friel's "Gransha," N.N. Glancy's "Irish Medical Lore," James Greer's "Awakening," John Hewitt's "Alec of the Chimney Corner," and "The Search," W.J. Holland, "A Short Piece of Friction," Brenden Kennelly, "Birthdays and Farewells," and "A Couple," Derek Mahon's "Fall-Out," "The Graduate in Metal Bose," and "Tragic Hero of Our Time," Martin, Hazel, "Folk Song," and "Magilligan," McFeeter, Gerry, "Poem for the Womanhood of Today," James Michie's "The Martial," Derek Montgomery's "Letter from America," O'Connor, Fleann, "Salvage," Jon O'Kelly's "Maximum Content and Minimum Hered," "Ponderessur," "Romance," "A Talent Lost is a Tear Hidden," and "A Worthy Troubadour," Denise Robertson's "Pit Closure," Jon Squires's "Aisling," "The Campaign," "My Friend," and "West-North-West," Michael Stephens's "I Think It Was Michael Stephens Who Said...," "The Importance of Free Thought," "My Noddy Neurosis," and "Schooldays," and W. Price Turner's "The Moral Rocking-Horse," "A Northern Tragedy," "Prop and Prodder," "The Queer Spleen Face," and "Rose Harem"] The Honest Ulsterman, typescripts of works included, Stevie Smith's "A Soldier Dear to Us," Brenden Kennelly's "The Stones," and "A Man in Yellow Oilskin," John D. Stewart's, "Let Us Be Human," John Hewitt's "From the Tibetan," Derek Mahon's "A Dying Art," and "Ecclesiastes," John Hearsum's "The Running of Things," W. Price Turner's "Full Supporting Programme," Michael Stephens's "Interview with Roger McGough," and "Drugs V. Drink," Peter Lewis's "A Tale of a Turd," Mary O' Malley's "Irish Theatre Letter," W. Price Turner's "Procrastination," and James Simmons's "Johnny My Gigolo" as well as MSS and TSS of works submitted but not used in the first issue, including Micheal Brophy's "Dance Little Man," "Death in the Glen," and "Flowers," Daniel Burleigh's "Bird," John Cassidy's "Love Seen," Stanley Cromie's "Philby," and "Specialization," Raymond Ellis's "Elegy on the Death of Martin Luther King," and "Yet Another Odyssey," Gavin Ewart's "Broadstairs," "The Dickens Wife," "The Seven Stages," and "A Vision," Padriac Fiacc's "Morning Dark," and "Vengenance," Micheal Friel's "Gransha," N.N. Glancy's "Irish Medical Lore," James Greer's "Awakening," John Hewitt's "Alec of the Chimney Corner," and "The Search," W.J. Holland, "A Short Piece of Friction," Brenden Kennelly, "Birthdays and Farewells," and "A Couple," Derek Mahon's "Fall-Out," "The Graduate in Metal Bose," and "Tragic Hero of Our Time," Martin, Hazel, "Folk Song," and "Magilligan," McFeeter, Gerry, "Poem for the Womanhood of Today," James Michie's "The Martial," Derek Montgomery's "Letter from America," O'Connor, Fleann, "Salvage," Jon O'Kelly's "Maximum Content and Minimum Hered," "Ponderessur," "Romance," "A Talent Lost is a Tear Hidden," and "A Worthy Troubadour," Denise Robertson's "Pit Closure," Jon Squires's "Aisling," "The Campaign," "My Friend," and "West-North-West," Michael Stephens's "I Think It Was Michael Stephens Who Said...," "The Importance of Free Thought," "My Noddy Neurosis," and "Schooldays," and W. Price Turner's "The Moral Rocking-Horse," "A Northern Tragedy," "Prop and Prodder," "The Queer Spleen Face," and "Rose Harem"]
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